Overview

Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his ""late style"" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mkel, Sarah Menin, Max Paddison, and Timo Virtanen.

Full Product Details

Author:   Daniel M. Grimley
Publisher:   Princeton University Press
Imprint:   Princeton University Press
Volume:   25
Dimensions:   Width: 15.20cm , Height: 2.80cm , Length: 23.50cm
Weight:   0.680kg
ISBN:  

9780691152806

ISBN 10:   0691152802
Pages:   384
Publication Date:   28 August 2011
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   In Print  
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.
Language:   English

Table of Contents

Acknowledgments and Permissions vii Sibelius, Finland, and the Idea of Landscape ix PART I: ESSAYS Sibelius and the Russian Traditions by PHILIP ROSS BULLOCK 3 From Heaven's Floor to the Composer's Desk: Sibelius's Musical Manuscripts and Compositional Process by TIMO VIRTANEN 58 Theatrical Sibelius: The Melodramatic Lizard by JEFFREY KALLBERG 74 The Wings of a Butterfly: Sibelius and the Problems of Musical Modernity by TOMI MAKELA 89 ""Thor's Hammer"": Sibelius and British Music Critics, 1905-1957 by BYRON ADAMS 125 Jean Sibelius and His American Connections by GLENDA DAWN GOSS 158 Art and the Ideology of Nature: Sibelius, Hamsun, Adorno by MAX PADDISON 173 Storms, Symphonies, Silence: Sibelius's Tempest Music 186 and the Invention of Late Style by DANIEL M. GRIMLEY 186 Waving from the Periphery: Sibelius, Aalto, and the Finnish Pavilions SARAH MENIN 227 Old Masters: Jean Sibelius and Richard Strauss in the Twentieth Century by LEON BOTSTEIN PART II: DOCUMENTS 256 Selections from Adolf Paul's A Book About a Human Being 307 TRANSLATED BY ANNIKA LINDSKOG INTRODUCED BY DANIEL M. GRIMLEY Some Viewpoints Concerning Folk Music and Its Influence on the Musical Arts by JEAN SIBELIUS 315 TRANSLATED FROM THE SWEDISH BY MARGARETA MARTIN INTRODUCED BY DANIEL M. GRIMLEY Selection from Erik Furuhjelm's Jean Sibelius: A Survey of His Life and Music 326 TRANSLATED BY MARGARETA MARTIN INTRODUCED BY DANIEL M. GRIMLEY Adorno on Sibelius 331 TRANSLATED BY SUSAN H. GILLESPIE INTRODUCED BY DANIEL M. GRIMLEY Monumentalizing Sibelius: Eila Hiltunen and the Sibelius Memorial Controversy 338 INTRODUCED AND TRANSLATED BY DANIEL M. GRIMLEY Index 355 Notes on the Contributors 368

Reviews

The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World, from Princeton University Press. -- Zachary Woolfe, New York Times

The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World, from Princeton University Press. -- Zachary Woolfe, New York Times As this collection shows, there is a resurgence of interest in the music of Jean Sibelius... [T]he book is full of useful information. -- Choice

""The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World, from Princeton University Press.""--Zachary Woolfe, New York Times ""As this collection shows, there is a resurgence of interest in the music of Jean Sibelius... [T]he book is full of useful information.""--Choice ""Jean Sibelius and His World ends with English translations of a number of important primary documents... Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries.""--Carl Rafikonen, Notes ""[T]his is a fine collection of essays that advances Sibelius research significantly. It bears the title Sibelius and his World, but it also does an excellent job of alerting the reader to Sibelius's relevance to our world.""--Derek B. Scott, Music and Letters

Author Information

Daniel M. Grimley is university lecturer in music at the University of Oxford, tutorial fellow of Merton College, and senior lecturer in music at University College. He is the editor of ""The Cambridge Companion to Sibelius"" and the author of ""Grieg and Carl Nielsen and the Idea of Modernism"".

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