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OverviewOriginally released as a videographic experiment in film history, Jean-Luc Godard’s Histoire(s) du cinéma has been widely hailed as a landmark in how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard’s landmark work as both a specimen of an artist’s vision and a philosophical statement on the history of film. Witt contextualizes Godard’s theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard’s groundbreaking ideas on the history of cinema. Full Product DetailsAuthor: Michael WittPublisher: Indiana University Press Imprint: Indiana University Press Dimensions: Width: 17.80cm , Height: 1.90cm , Length: 22.90cm Weight: 0.794kg ISBN: 9780253007285ISBN 10: 0253007283 Pages: 288 Publication Date: 07 November 2013 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments Introduction: Godard's Theorem 1. Histoire(s) du cinéma: A History 2. The Prior and Parallel Work 3. Models and Guides 4. The Rise and Fall of the Cinematograph 5. Cinema, Nationhood, and the New Wave 6. Making Images in the Age of Spectacle 7. The Metamorphoses Envoi Works by Godard Notes Select Bibliography IndexReviews<p>Michael Witt has given us a clear, exhilarating, inspiring presentation of Godard's tour de force, Histoire(s) du cinema, bringing the director's entire body of work into focus in the process. Beautifully written, his study succeeds brilliantly in making Godard's most difficult films and videos comprehensible, tracing their genealogies within the director's career and his points of reference. This is essential reading about digital media's potential to write history, raising wonderful questions about a committed personal approach to cinema history. --Janet Bergstrom, Professor of Cinema and Media Studies, UCLA <p> Michael Witt has given us a clear, exhilarating, inspiring presentation of Godard's tour de force, Histoire(s) du cinema, bringing the director's entire body of work into focus in the process. Beautifully written, his study succeeds brilliantly in making Godard's most difficult films and videos comprehensible, tracing their genealogies within the director's career and his points of reference. This is essential reading about digital media's potential to write history, raising wonderful questions about a committed personal approach to cinema history. --Janet Bergstrom, Professor of Cinema and Media Studies, UCLA--Janet Bergstrom, Professor of Cinema and Media Studies, UCLA Michael Witt has given us a clear, exhilarating, inspiring presentation of Godard's tour de force, Histoire(s) du cinema, bringing the director's entire body of work into focus in the process. Beautifully written, his study succeeds brilliantly in making Godard's most difficult films and videos comprehensible, tracing their genealogies within the director's career and his points of reference. This is essential reading about digital media's potential to write history , raising wonderful questions about a committed personal approach to cinema history . - Janet Bergstrom, Professor of Cinema and Media Studies, UCLA Author InformationMichael Witt is Professor of Cinema and Co-Director of the Centre for Research in Film and Audiovisual Cultures at University of Roehampton in London. He is co-editor of several books on French film including Jean-Luc Godard: Documents, The French Cinema Book, and For Ever Godard. Tab Content 6Author Website:Countries AvailableAll regions |
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