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OverviewFull Product DetailsAuthor: Stephanie Chadwick (Lamar University, USA)Publisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Visual Arts Weight: 0.688kg ISBN: 9781501349454ISBN 10: 1501349457 Pages: 256 Publication Date: 10 February 2022 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsThis groundbreaking study forms a necessary and timely reevaluation of Jean Dubuffet's forays into the genre of portraiture, in which Chadwick deftly employs the concepts of bricolage, pastiche, and performativity to shed new light on Dubuffet's important relationships with leading cultural figures of his time, including Michel Tapié, Jean Paulhan, Antonin Artaud, and Henri Michaux. * Kent Minturn, Core Lecturer for Art Humanities, Columbia University, USA * With this new volume, Chadwick offers fresh interpretations of Dubuffet’s mark-making, especially connecting his radical practice to Surrealist ideas in deeply intertextual readings. By focusing on a tightly constructed group of works, Chadwick expands previous understandings of Dubuffet’s portraits in the rich context of post-war French intellectual thought. * Sandra Zalman, author of Consuming Surrealism in American Culture: Dissident Modernism (2015) * This groundbreaking study forms a necessary and timely reevaluation of Jean Dubuffet's forays into the genre of portraiture, in which Chadwick deftly employs the concepts of bricolage, pastiche, and performativity to shed new light on Dubuffet's important relationships with leading cultural figures of his time, including Michel Tapie, Jean Paulhan, Antonin Artaud, and Henri Michaux. * Kent Minturn, Core Lecturer for Art Humanities, Columbia University, USA * With this new volume, Chadwick offers fresh interpretations of Dubuffet's mark-making, especially connecting his radical practice to Surrealist ideas in deeply intertextual readings. By focusing on a tightly constructed group of works, Chadwick expands previous understandings of Dubuffet's portraits in the rich context of post-war French intellectual thought. * Sandra Zalman, author of Consuming Surrealism in American Culture: Dissident Modernism (2015) * Author InformationStephanie Chadwick is Associate Professor of Art History at Lamar University, USA. Tab Content 6Author Website:Countries AvailableAll regions |