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9781138256545

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La remarquable analyse de Bemp at nous d ile une oeuvre qui jongle avec les exotismes glan par le compositeur lors de ses exp tions, le bretonisme qui lui it inn et l'ex se de son catholicisme fervent. France Catholique ... an impressive undertaking... I consider that this book, more than simply a biography of a single composer and a military man, will shine even brighter once we have readjusted his position in the larger history of modern French music. International Journal of Tourism Science 'Le Canadien Paul-Andr emp at, est parfaitement francophone mais c'est en anglais qu'il r ge cette somme d a Jean Cras ... Tout y est, ...sa carri marine, ... l'inventeur brilliant, l'esth p i d'humanisme, le musician dans son oeuvre. ... Le portrait est vivant, Jean Cras se tient devant vous et tous les secrets de son art subtil sont d ntr ' Diapason Bemp at weaves lively excerpts from the composer s journals and correspondence into a descriptive narrative that ranges from heady to introspective, allowing glimpses of Cras s familial devotion, aesthetic musings, wry humor, and faith derived from philosophy and experience rather than blind piety. ... Bemp at s book is a welcome examination of a gifted but obscure composer that will prove useful for military historians and musicologists alike. Journal of Military History '... a fluid accessible narrative for both historians and musicologists... This is the first major study of Cras and will stand as a good reference to all who are interested in approaching him, Bretagne composers, regionalism and nationalism, the legacy of Franck and Duparc, polymaths, and those interested in cultural activities in France.' Notes '... his absorption of nonmusical matters allows him to present an enormous amount of unexpected information without losing the reader s interest, and when he does get to the music, he examines it so attentively that this intro

'La remarquable analyse de Bempechat nous devoile une oeuvre qui jongle avec les exotismes glanes par le compositeur lors de ses expeditions, le bretonisme qui lui etait inne, et l'exegese de son catholicisme fervent.' France Catholique '... an impressive undertaking... I consider that this book, more than simply a biography of a single composer and a military man, will shine even brighter once we have readjusted his position in the larger history of modern French music.' International Journal of Tourism Science 'Le Canadien Paul-Andre Bempechat, est parfaitement francophone mais c'est en anglais qu'il redige cette somme dediee A Jean Cras ... Tout y est, ...sa carriere marine, ... l'inventeur brilliant, l'esthete petri d'humanisme, le musician dans son A uvre. ... Le portrait est vivant, Jean Cras se tient devant vous et tous les secrets de son art subtil sont demontres.' Diapason 'Bempechat weaves lively excerpts from the composer's journals and correspondence into a descriptive narrative that ranges from heady to introspective, allowing glimpses of Cras's familial devotion, aesthetic musings, wry humor, and faith derived from philosophy and experience rather than blind piety. ... Bempechat's book is a welcome examination of a gifted but obscure composer that will prove useful for military historians and musicologists alike.' Journal of Military History '... a fluid accessible narrative for both historians and musicologists... This is the first major study of Cras and will stand as a good reference to all who are interested in approaching him, Bretagne composers, regionalism and nationalism, the legacy of Franck and Duparc, polymaths, and those interested in cultural activities in France.' Notes '... his absorption of nonmusical matters allows him to present an enormous amount of unexpected information without losing the reader's interest, and when he does get to the music, he examines it so attentively that this intro

Author Information

Paul-André Bempéchat studied at the Manhattan and Juilliard Schools of Music and the Sorbonne, where his mentors in piano and chamber music were Artur Balsam, Felix Galimir and Nadia Reisenberg; in musicology and comparative literature, Marie-Claire Beltrando-Patier, Pierre Brunel and Isabelle Cazeaux. A contributor to The Revised New Grove Dictionary of Music and Musicans, Die Musik in Geschichte und Gegenwart, and to numerous academic and performing arts journals, Dr Bempéchat has enjoyed research and lecturing appointments at Harvard University, where he remains an Affiliate at its Center for European Studies, and at the Westminster College of the Arts of Rider University. Based in Boston and Paris, Paul-André Bempéchat sustains the career that has brought him to the Wiener Festwochen, the Caramoor Festival, Boston’s Jordan Hall, and Berlin’s Konzerthaus.

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