Jane Morris: The Burden of History

Author:   Wendy Parkins (Senior Lecturer in the Department of English, the University of Kent)
Publisher:   Edinburgh University Press
ISBN:  

9780748641277


Pages:   256
Publication Date:   15 April 2013
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Jane Morris: The Burden of History


Overview

A scholarly monograph devoted to Jane Morris, an icon of Victorian art whose face continues to grace a range of Pre-Raphaelite merchandise Described by Henry James as a 'dark, silent, medieval woman', Jane Burden Morris has tended to remain a rather one-dimensional figure in subsequent accounts. This book, however, challenges the stereotype of Jane Morris as silent model, reclusive invalid, and unfaithful wife. Drawing on extensive archival research as well as the biographical and literary tradition surrounding William Morris and Dante Gabriel Rossetti, the book argues that Jane Morris is a figure who complicates current understandings of Victorian female subjectivity because she does not fit neatly into Victorian categories of feminine identity. She was a working-class woman who married into middle-class affluence, an artist's model who became an accomplished embroiderer and designer, and an apparently reclusive, silent invalid who was the lover of Dante Gabriel Rossetti and Wilfred Scawen Blunt. Jane Morris and the Burden of History particularly focuses on textual representations - in letters, diaries, memoirs and novels - from the Victorian period onwards, in order to investigate the cultural transmission and resilience of the stereotype of Jane Morris. Drawing on recent reconceptualisations of gender, auto/biography, and afterlives, this book urges readers to think differently - about an extraordinary woman and about life-writing in the Victorian period. Key Features: First scholarly study of Jane Morris, which seeks to challenge the stereotype surrounding her as melancholy invalid and Pre-Raphaelite femme fataleInnovative case study of the role of class, gender and sexuality in the formation of Victorian feminine subjectivityContribution to emerging field of new biography and Victorian afterlives through the inclusion and examination of a wide variety of texts which construct the selfOriginal exploration of feminine creative agency that challenges conventional understandings of masculine artistic autonomy in the Victorian period

Full Product Details

Author:   Wendy Parkins (Senior Lecturer in the Department of English, the University of Kent)
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 15.60cm , Height: 2.00cm , Length: 23.40cm
Weight:   0.496kg
ISBN:  

9780748641277


ISBN 10:   0748641270
Pages:   256
Publication Date:   15 April 2013
Audience:   Professional and scholarly ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Acknowledgements; Chronology; Illustrations; Preface; Introduction: Life & Letters; I. ‘Is it not too daring and altogether too inexplicable?’: Gossip, anecdote & biography; II. Suet & strawberries: Life writing & habitus; Chapter 1. Scandal; I. ‘The lady I spoke about’: Jane & Gabriel; II. ‘In thy shut lips what secrets!’: Jane & Wilfrid; Chapter 2. Silence’; I. ‘What more can I say’: The reticence of Jane Morris; II. ‘Dear suffering Janey’: The myth of invalidism; Chapter 3. Class; I. Social mobility and ‘rather sad lives’; II. Politics and ‘talking in the usual Socialistic fashion’; Chapter 4. Icon; I. Wonder: ‘she haunts me still’; II. Celebrity: The style of ‘the famous Mrs Morris’; Chapter 5. Home; I. ‘So much love dearest’: Jane Morris at home; II. Si je puis: Jane Morris’s creative agency; Conclusion; Endnotes; Bibliography; Index.

Reviews

"Parkins' deeply original and lucid book advances current life-writing scholarship to show how theoretically informed critical readings of representations of Jane Morris can restore self and subjectivity to full historical complexity. It's essential reading for scholars of the Victorian period with interests in 'lives' and their multiple locations and meanings.-- ""Professor David Amigoni, Keele University"""


Author Information

Wendy Parkins is Professor of Victorian Literature at the University of Kent, UK.

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NOV RG 20252

 

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