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A light, sure-footed guide [...] Keymer has insightful things to say about all Austen's fiction, from the pitilessness of the hilarious early sketches to the intensity and passion of Persuasion. It is great fun to follow him as he nails Austen's effects in delightful phrases. * Jane Spencer, The Review of English Studies * Janeites of all stripes should take note of this critically robust account. * Everett Jones, Publishers Weekly * Highly recommended. * Emily Bowles, Library Journal * Tom Keymer reminds us, in timely fashion, of the delights and the unexpected rewards in reading Jane Austen with close attention. He presents a writer whose output is unified and varied, who offers us puzzles and problems and who prefers exploration to polemic and eloquent silences to explanations. She questions all she sees: the novel, society, and politics. Nothing escapes her teasing, critical gaze. This is an assured and witty introduction to a subtle and complex genius and a welcome invitation to look and think again. * Kathryn Sutherland, editor of Jane Austen: Teenage Writings * To illuminate literary greatness in a short book is a tall order. Tom Keymer's Jane Austen: Writing, Society, and Politics delivers precisely that, with admirable clarity and characteristic brilliance, in a captivating style that's worthy of the author herself. * Devoney Looser, author of The Making of Jane Austen * Keymer's introduction to Jane Austen is a delight to read, and every chapter offers something I hadn't known or considered before ... One might even claim that, though deep, its clear; though informed, yet not dull; strong but not kneejerk; without o're-flowing, full. * Cynthia Wall, University of Virginia *

To illuminate literary greatness in a short book is a tall order. Tom Keymer's Jane Austen: Writing, Society, and Politics delivers precisely that, with admirable clarity and characteristic brilliance, in a captivating style that's worthy of the author herself. * Devoney Looser, author of The Making of Jane Austen * Tom Keymer reminds us, in timely fashion, of the delights and the unexpected rewards in reading Jane Austen with close attention. He presents a writer whose output is unified and varied, who offers us puzzles and problems and who prefers exploration to polemic and eloquent silences to explanations. She questions all she sees: the novel, society, and politics. Nothing escapes her teasing, critical gaze. This is an assured and witty introduction to a subtle and complex genius and a welcome invitation to look and think again. * Kathryn Sutherland, editor of Jane Austen: Teenage Writings *

Keymer's introduction to Jane Austen is a delight to read, and every chapter offers something I hadn't known or considered before ... One might even claim that, though deep, its clear; though informed, yet not dull; strong but not kneejerk; without o're-flowing, full. * Cynthia Wall, University of Virginia * To illuminate literary greatness in a short book is a tall order. Tom Keymer's Jane Austen: Writing, Society, and Politics delivers precisely that, with admirable clarity and characteristic brilliance, in a captivating style that's worthy of the author herself. * Devoney Looser, author of The Making of Jane Austen * Tom Keymer reminds us, in timely fashion, of the delights and the unexpected rewards in reading Jane Austen with close attention. He presents a writer whose output is unified and varied, who offers us puzzles and problems and who prefers exploration to polemic and eloquent silences to explanations. She questions all she sees: the novel, society, and politics. Nothing escapes her teasing, critical gaze. This is an assured and witty introduction to a subtle and complex genius and a welcome invitation to look and think again. * Kathryn Sutherland, editor of Jane Austen: Teenage Writings *

Author Information

Tom Keymer is Chancellor Henry N. R. Jackman University Professor of English at the University of Toronto. He has published numerous books about Restoration, eighteenth-century, and Romantic-period literature and culture, including Poetics of the Pillory: English Literature and Seditious Libel 1660-1820 (OUP, 2019), Sterne, the Moderns, and the Novel (OUP, 2002), and, as editor, The Oxford History of the Novel in English, Volume 1: Prose Fiction in English from the Origins of Print to 1750 (OUP, 2017). He has also edited works by Daniel Defoe, Henry Fielding, Samuel Johnson, and others in the Oxford World's Classics series. He is General Editor of the Review of English Studies and co-General Editor of The Cambridge Edition of the Works and Correspondence of Samuel Richardson.

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