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Author:   Emma-Louise Silva ,  Sam Slote ,  Dirk Van Hulle
Publisher:   Brill
Imprint:   Brill
Volume:   29
Weight:   0.378kg
ISBN:  

9789004426184

ISBN 10:   9004426183
Pages:   230
Publication Date:   23 April 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

 Abbreviations  List of Illustrations  Notes on Contributors  Introduction: Endlessly Inartistic Portraits   Sam Slote   Part 1: Joycean “Re-tailorings” 1Sartor ResartusReanimatus: The “Reversionary” Art of James Joyce, the Re-tailor   Tiana M. Fischer   Part 2: Visual Art 2 Portraits of the Artist   David Spurr 3 “His errors are volitional and are the portals of discovery”: Towards an Indirect Social Efficacy of Joyce’s Attitude to Mistakes – Through (Beuys’) Art Responding to Joyce   Christa-Maria Lerm Hayes   Part 3: Music 4 The Dysgenic Music of James Joyce: Joyce as Disablist Modernist Composer inFinnegans Wake   John Morey 5 Sound Art? Trying to Make “soundsense” of the “sensesound” in Finnegans Wake   Thomas Gurke 6 The Art of Reading a Musical Novel: Literary Audiation and the Case of James Joyce   Katherine O’Callaghan 7 Static Crooning Consciousness Expansion: Musical Undergrounds Respond to James Joyce   Derek Pyle   Part 4: TV and Film 8 On the Stream of Consciousness and “Camera-Eye” in the Works of James Joyce and Thomas Wolfe   Adam James Cuthbert 9 James Joyce and François Truffaut: Stylistic Correspondences Between Literature and Cinema   Sara Spanghero 10 Nostalgia and the Kiss of Ulysses in Twin Peaks   Damon Franke   Part 5: Hybridity of Visual and Textual Images 11 “Our eyes demand their turn”: The Materiality of the Joycean Image & Illustrations of Finnegans Wake   Yaeli Greenblatt 12 The Logic of the Doodles in Finnegans WakeII.2   Sangam MacDuff 13 Columban Texts and Joyce’s “book of kills” (FW 482.33): The Limits of a Palaeographer’s View in Finnegans Wake   Anne Marie D’Arcy   Part 6: Joyce “Receptionated” (FW 370.18) 14 “Patrick What-Do-You-Colm”: Reading Joyce with Padraic Colum   John McCourt  Index

Reviews

“Joyce and the Arts makes a positive contribution to describing, theorising and generally appreciating the multifarious ways that Joyce’s art engages with and is engaged by creative fields, addressing the important whys and hows of Joycean influence on the arts.” - Clinton Cahill Manchester Metropolitan University UK, in James Joyce Broadsheet Vol. 119 2021 p. 2

Joyce and the Arts makes a positive contribution to describing, theorising and generally appreciating the multifarious ways that Joyce's art engages with and is engaged by creative fields, addressing the important whys and hows of Joycean influence on the arts. - Clinton Cahill Manchester Metropolitan University UK, in James Joyce Broadsheet Vol. 119 2021 p. 2

Joyce and the Arts makes a positive contribution to describing, theorising and generally appreciating the multifarious ways that Joyce's art engages with and is engaged by creative fields, addressing the important whys and hows of Joycean influence on the arts. -Clinton Cahill, in James Joyce Broadsheet, Number 119, June 2021.

Author Information

Emma-Louise Silva, Ph.D. (2019), University of Antwerp, combines her role as a lecturer at that university with a postdoctoral position for the Time Machine Project. She has published in JJLS, JJQ, and she co-edited this volume for EJS. Sam Slote, Ph.D. (1997), is an Associate Professor at Trinity College Dublin. He is the author of Joyce’s Nietzschean Ethics (2013). His volume Annotations to James Joyce’s ‘Ulysses’ will be published in 2020. Dirk Van Hulle is Professor of Bibliography and Modern Book History at the University of Oxford, director of the Centre for Manuscript Genetics at the University of Antwerp and co-director of the Beckett Digital Manuscript Project (www.beckettarchive.org).

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