James Joyce and Absolute Music

Author:   Dr Michelle Witen (University of Basel, Switzerland)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350014220


Pages:   320
Publication Date:   22 February 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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James Joyce and Absolute Music


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Full Product Details

Author:   Dr Michelle Witen (University of Basel, Switzerland)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Academic
Weight:   0.617kg
ISBN:  

9781350014220


ISBN 10:   1350014222
Pages:   320
Publication Date:   22 February 2018
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

Witen shows herself to be a formidable textual scholar. She is also a wonderful reader of the 'Sirens' episode, suggesting that the episode itself has a voice. * James Joyce Literary Supplement * A densely argued examination ... For those readers who may not understand the notion of absolute music or even know what a fugue is, Witen explains her terms carefully and lucidly. * Times Literary Supplement * The scholarly heft of Witen's scrupulous archival work and detailed intellectual history will offer powerful categories ... for understanding the textures of Joyce's art. * The Review of English Studies * Witen, by situating Joyce in contemporary theories of music, unravelling his manuscript notes to parse the intentions and achievement of the 'Sirens' chapter of Ulysses, and showing how 'Sirens' continues to echo through the rest of the novel has written a book that anyone interested in Joyce will want to read. This is a significant contribution to Joyce studies. * Ron Bush, Senior Fellow, Institute of English Studies, School of Advanced Study, University of London, UK * James Joyce and Absolute Music is an important contribution to debates about Joyce's musical project. Witen's competence as a musical historian and her dexterous use of archival sources are the building blocks of a well-researched study convincingly demonstrating the importance of non-referential music for Joyce's composition practices. * Vike Martina Plock, Associate Professor of English, University of Exeter, UK *


A densely argued examination ... For those readers who may not understand the notion of absolute music or even know what a fugue is, Witen explains her terms carefully and lucidly. * Times Literary Supplement * Witen, by situating Joyce in contemporary theories of music, unravelling his manuscript notes to parse the intentions and achievement of the 'Sirens' chapter of Ulysses, and showing how 'Sirens' continues to echo through the rest of the novel has written a book that anyone interested in Joyce will want to read. This is a significant contribution to Joyce studies. * Ron Bush, Senior Fellow, Institute of English Studies, School of Advanced Study, University of London, UK * James Joyce and Absolute Music is an important contribution to debates about Joyce's musical project. Witen's competence as a musical historian and her dexterous use of archival sources are the building blocks of a well-researched study convincingly demonstrating the importance of non-referential music for Joyce's composition practices. * Vike Martina Plock, Associate Professor of English, University of Exeter, UK *


Witen, by situating Joyce in contemporary theories of music, unravelling his manuscript notes to parse the intentions and achievement of the 'Sirens' chapter of Ulysses, and showing how 'Sirens' continues to echo through the rest of the novel has written a book that anyone interested in Joyce will want to read. This is a significant contribution to Joyce studies. * Ron Bush, Senior Fellow, Institute of English Studies, School of Advanced Study, University of London, UK * James Joyce and Absolute Music is an important contribution to debates about Joyce's musical project. Witen's competence as a musical historian and her dexterous use of archival sources are the building blocks of a well-researched study convincingly demonstrating the importance of non-referential music for Joyce's composition practices. * Vike Martina Plock, Associate Professor of English, University of Exeter, UK *


Author Information

Michelle Witen is Postdoctoral Teaching and Research Fellow at the University of Basel, Switzerland.

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