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9781498541510

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Kenny Suit's excavation of the most influential Christian filmmaker of the 20th century, the Episcopal Reverend James K. Friedrich, is a timely tour de force of a neglected auteur of independent films. With the advent of many contemporary religious films, Suit strategically situates Friedrich as the visionary vanguard of truly superb and competent filmmaking. This remarkably compelling text showcases how Friedrich built his cinematic oeuvre like the artists of old built cathedrals, all to the glory of God and for the inspiration and entertainment for his millions of spectators. -- Terry Lindvall, Virginia Wesleyan University This is a very comprehensive and well written book full of valuable insights about the father of 16mm religious film, Dr. James K. Friedrich. It is a wonderful addition to the literature on 16mm religious film production. This book is brilliantly researched. -- Andrew Quicke, Regent University Kenny Suit's well-researched study scrutinizes the cinematic ventures of James K. Friedrich and Cathedral Films with impressive detail and a skillful blending of biography, film aesthetics, and industry dynamics. This chronicle of a legend among small-scale independent church producers casts light on the larger movement, most visible in the Billy Graham Association's World Wide Pictures, and makes a solid contribution to the existing literature on American Protestantism and film. -- William D. Romanowski, Calvin College

Kenny Suit's excavation of the most influential Christian filmmaker of the 20th century, the Episcopal Reverend James K. Friedrich, is a timely tour de force of a neglected auteur of independent films. With the advent of many contemporary religious films, Suit strategically situates Friedrich as the visionary vanguard of truly superb and competent filmmaking. This remarkably compelling text showcases how Friedrich built his cinematic oeuvre like the artists of old built cathedrals, all to the glory of God and for the inspiration and entertainment for his millions of spectators. -- Terry Lindvall, Virginia Wesleyan University This is a very comprehensive and well written book full of valuable insights about Dr. James K. Friedrich. It is a wonderful addition to the literature on religious film production. This book is brilliantly researched. -- Andrew Quicke, Regent University Kenny Suit's well-researched study scrutinizes the cinematic ventures of James K. Friedrich and Cathedral Films with impressive detail and a skillful blending of biography, film aesthetics, and industry dynamics. This chronicle of a legend among small-scale independent church producers casts light on the larger movement, most visible in the Billy Graham Association's World Wide Pictures, and makes a solid contribution to the existing literature on American Protestantism and film. -- William D. Romanowski, Calvin College

Kenny Suit's excavation of the most influential Christian filmmaker of the 20th century, the Episcopal Reverend James K. Friedrich, is a timely tour de force of a neglected auteur of independent films. With the advent of many contemporary religious films, Suit strategically situates Friedrich as the visionary vanguard of truly superb and competent filmmaking. This remarkably compelling text showcases how Friedrich built his cinematic oeuvre like the artists of old built cathedrals, all to the glory of God and for the inspiration and entertainment for his millions of spectators.--Terry Lindvall, Virginia Wesleyan University This is a very comprehensive and well written book full of valuable insights about the father of 16mm religious film, Dr. James K. Friedrich. It is a wonderful addition to the literature on 16mm religious film production. This book is brilliantly researched.--Andrew Quicke, Regent University Kenny Suit's well-researched study scrutinizes the cinematic ventures of James K. Friedrich and Cathedral Films with impressive detail and a skillful blending of biography, film aesthetics, and industry dynamics. This chronicle of a legend among small-scale independent church producers casts light on the larger movement, most visible in the Billy Graham Association's World Wide Pictures, and makes a solid contribution to the existing literature on American Protestantism and film.--William D. Romanowski, Calvin College

Kenny Suit's excavation of the most influential Christian filmmaker of the 20th century, the Episcopal Reverend James K. Friedrich, is a timely tour de force of a neglected auteur of independent films. With the advent of many contemporary religious films, Suit strategically situates Friedrich as the visionary vanguard of truly superb and competent filmmaking. This remarkably compelling text showcases how Friedrich built his cinematic oeuvre like the artists of old built cathedrals, all to the glory of God and for the inspiration and entertainment for his millions of spectators.--Terry Lindvall, Virginia Wesleyan University Kenny Suit's well-researched study scrutinizes the cinematic ventures of James K. Friedrich and Cathedral Films with impressive detail and a skillful blending of biography, film aesthetics, and industry dynamics. This chronicle of a legend among small-scale independent church producers casts light on the larger movement, most visible in the Billy Graham Association's World Wide Pictures, and makes a solid contribution to the existing literature on American Protestantism and film.--William D. Romanowski, Calvin College This is a very comprehensive and well written book full of valuable insights about Dr. James K. Friedrich. It is a wonderful addition to the literature on religious film production. This book is brilliantly researched.--Andrew Quicke, Regent University

Author Information

Kenneth Suit is associate professor of cinema at Milligan College.

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