Overview

Jailbird is Vonnegut's riotous urban fairytale about the various fiascos of the Nixon years J'ailbird has the crackle and snap of Vonnegut's early work - his best since Cat's Cradle. Using the laid-back, ironic voice that has become his stademark, Vonnegut combines fiction and fact to construct an ingenious, wry morality play' - Newsweek Vonnegut's riotous urban fairytale about the various fiascos of the Nixon years - a firm fan favourite Walter J. Starbuck's life was on the up. With a Harvard education, a job in federal government and then in Nixon's White House, everything was going great. Only things took a truly spectacular turn for the worse when his involvement in the Watergate scandal landed him in jail. Now, as the brave new world of the 1980s dawns, Starbuck is finally free and on his way back into the world. This is the story of the first twenty-four hours after his release, told with Kurt Vonnegut's razor-sharp wit and satirical bite.

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9780099999003

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As provoking, as amusing and as silver-tongued as anything Vonnegut has written * New Statesman * Jailbird has the crackle and snap of Vonnegut's early work - his best since Cat's Cradle. Using the laid-back, ironic voice that has become his stademark, Vonnegut combines fiction and fact to construct an ingenious, wry morality play * Newsweek * An overtly political novel attacking McCarthyism and Watergate * Daily Telegraph * After Vonnegut, everything else seems a bit tame * Spectator *

No one can make America into childlike myth like Vonnegut can. Here he takes capitalism, labor history, Sacco-Vanzetti, McCarthyism, and Watergate, and puts them all into the slender memoirs of Walter F. Starbuck - a chauffeur's son who was mentored by the scion of a great and ruthless corporation, was sent to Harvard, but was abandoned when he was caught dabbling in the 1930s left-wing; which meant that Walter had to make his own way as a WW II soldier, Washington civil servant, unintentional stoolie in a Hiss/Chambers-type case, unemployed husband (his concentration-camp-survivor wife supported them with interior decorating), and finally Nixon's token advisor for youth affairs and a very minor Watergate convict. So now old Walter is getting out of minimum-security prison (where he has met Vonnegut's Kilgore Trout), without a friend in the world - his wife is dead and his son is a very unpleasant person. . . a book reviewer for The New York Times - and with hopes of becoming a bartender somewhere in Manhattan. All this is told in Vonnegut's customary fatless, detail-rich, musical prose (with the usual ironic asides: And on and on, Peace, Strong stuff ), and it's strangely touching, occasionally boldly funny. But as good as he is at building a haunted, hilariously compressed myth out of our shared past, Vonnegut can't keep it from collapsing into silliness when he tries to propel it into the future; Walter's post-prison adventures are so fairy-tale-ish and theme-heavy that they lose that precariously balanced aura of truer-than-true. Once in Manhattan, he meets the major people from his past in one coincidence after another, including his old flame and fellow left-winger Mary Kathleen O'Looney, who is now a N.Y. shopping-bag lady living beneath Grand Central Station - but is she really a bag lady? No! She's really the legendary Mrs. Jack Graham, neverseen majority stockholder in the all-powerful RAMJAC Corporation. So Walter is suddenly made a corporate bigwig, and, when Mary Kathleen secretly dies, he illegally (but well-meaningly) keeps the company going. . . and winds up a jailbird again. Rich/poor, honest/criminal, management/labor - Vonnegut is playfully exploring the ease with which an American Everyman can alternate between these ostensible extremes. But he has covered much of that ground before - principally in God Bless You, Mr. Rosewater - and he himself seems to become bored and mechanical halfway through. Not top-drawer Vonnegut, then, but guilty/innocent Walter is a fine creation, and there's enough of the author's narrative zip to keep fans happy even while the novel fizzles into foolishness. (Kirkus Reviews)

As provoking, as amusing and as silver-tongued as anything Vonnegut has written New Statesman Jailbird has the crackle and snap of Vonnegut's early work - his best since Cat's Cradle. Using the laid-back, ironic voice that has become his stademark, Vonnegut combines fiction and fact to construct an ingenious, wry morality play Newsweek An overtly political novel attacking McCarthyism and Watergate Daily Telegraph After Vonnegut, everything else seems a bit tame Spectator

After Vonnegut, everything else seems a bit tame * Spectator * An overtly political novel attacking McCarthyism and Watergate * Daily Telegraph * Jailbird has the crackle and snap of Vonnegut's early work - his best since Cat's Cradle. Using the laid-back, ironic voice that has become his stademark, Vonnegut combines fiction and fact to construct an ingenious, wry morality play * Newsweek * As provoking, as amusing and as silver-tongued as anything Vonnegut has written * New Statesman *

Author Information

Kurt Vonnegut was born in Indianapolis in 1922 and studied biochemistry at Cornell University. An army intelligence scout during the Second World War, he was captured by the Germans and witnessed the destruction of Dresden by Allied bombers, an experience which inspired his classic novel Slaughterhouse-Five. After the war he worked as a police reporter, an advertising copywriter and a public relations man for General Electric. His first novel Player Piano (1952) achieved underground success. Cat's Cradle (1963) was hailed by Graham Greene as 'one of the best novels of the year by one of the ablest living authors'. His eighth book, Slaughterhouse-Five was published in 1969 and was a literary and commercial success, and was made into a film in 1972. Vonnegut is the author of thirteen other novels, three collections of stories and five non-fiction books. Kurt Vonnegut died in 2007.

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