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OverviewFull Product DetailsAuthor: Laurence Senelick (Tufts University, Massachusetts)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 23.00cm , Height: 2.00cm , Length: 15.50cm Weight: 0.550kg ISBN: 9781108814027ISBN 10: 1108814026 Pages: 370 Publication Date: 02 April 2020 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction; 1. The French connection; 2. Wagner, Nietzsche, and the polemics of opera; 3. Tales from the Vienna stage; 4. Against the Victorian grain; 5. The discovery of America; 6. Caviar with the champagne; 7. Doing the Continental; 8. South of the equator, east of Suez; 9. A Max Reinhardt production; 10. Red stars; 11. French without tears; 12. English as she is spoke; 13. Rebirth from the ruins; 14. Conclusion: taking Offenbach seriously.Reviews'At long last someone has written a brand new Offenbach book - in English. And what's even better, it's a great book full of historical facts mostly overlooked (or ignored) by the English language operetta world ... Laurence Senelick paints a much more 'gritty' and 'sexually charged' picture of the genre and how it started in Paris and Vienna in the 1850s, asking what made operetta so revolutionary - and what made Offenbach so incredibly successful.' Kevin Clarke, The Operetta Research Center 'At long last someone has written a brand new Offenbach book - in English. And what's even better, it's a great book full of historical facts mostly overlooked (or ignored) by the English language operetta world ... Laurence Senelick paints a much more 'gritty' and 'sexually charged' picture of the genre and how it started in Paris and Vienna in the 1850s, asking what made operetta so revolutionary - and what made Offenbach so incredibly successful.' Kevin Clarke, The Operetta Research Center Author InformationLaurence Senelick is Fletcher Professor of Drama and Oratory at Tufts University, Massachusetts, and a Fellow of the American Academy of Arts and Sciences. His numerous books include the award-winning Gordon Craig's Moscow 'Hamlet' (1982), The Age and Stage of George L. Fox (1988), The Changing Room: Sex, Drag, and Theatre (2000), and The Chekhov Theatre: A Century of the Plays in Performance (Cambridge, 2000). Tab Content 6Author Website:Countries AvailableAll regions |