Jacques Lecoq and the British Theatre
Author:   Franc Chamberlain (University College, Cork, Ireland) ,  Ralph Yarrow ,  Ralph Yarrow
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415270243


Pages:   136
Publication Date:   22 November 2001
Format:   Hardback
Availability:   In Print   Availability explained
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Jacques Lecoq and the British Theatre


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Author:   Franc Chamberlain (University College, Cork, Ireland) ,  Ralph Yarrow ,  Ralph Yarrow
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.20cm , Length: 23.40cm
Weight:   0.340kg
ISBN:  

9780415270243


ISBN 10:   0415270243
Pages:   136
Publication Date:   22 November 2001
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Chapter 1 Introduction, Franc Chamberlain, Ralph Yarrow; Chapter 2 : Jacques Lecoq, Modern Mime and the Zero Body. A Pedagogy for the Creative Actor., Simon Murray; Chapter 3 The Well of Possibilities: Theoretical and Practical Uses of Lecoq'S Teaching, Bim Mason; Chapter 4 The Theatre Which does not Exist: Neutrality to Interculturalism, John Martin; Chapter 5 The Masks of Jacques Lecoq, John Wright; Chapter 6 “Amusez-Vous, Merde!”: The Effect of Philippe Gaulier's Teaching on My Work as an Actor and Writer, Victoria Worsley; Chapter 7 Jos Houben: Understanding the Neutral Mask, Anthony Shrubsall; Chapter 8 Afterword, Ralph Yarrow; Chapter 9 Lecoq Talk, David Gaines;

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Author Information

Franc Chamberlain is Senior Lecturer in Performance Studies at University College Northampton. He is performer, director and writer. Ralph Yarrow is Senior Lecturer at the University of East Anglia where he teaches drama, European literature and French language. He has directed and performed in India and Britain, and in English, French and German; his writings include adaptations for the stage. He writes on the theory and practice of improvisation, on contemporary literary and dramatic theory, on consciousness and aesthetics, and now on Indian theatre. His directing covers Kokoschka, Jarry Rozewicz, Churchill, Daniels, Pinter and Vinaver. _

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