|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Caspar MelvillePublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 13.80cm , Height: 2.00cm , Length: 21.60cm Weight: 0.467kg ISBN: 9781526131256ISBN 10: 1526131250 Pages: 288 Publication Date: 21 November 2019 Audience: College/higher education , Professional and scholarly , General/trade , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsList of figures List of plates Preface Acknowledgements Introduction: London’s sonic space 1 Hostile environment: London’s racial geography, 1960-80 2 Warehouse parties, rare groove and the diversion of space 3 From Ibiza to London: Brixton acid and rave 4 ‘A London Sum’ting Dis’: diaspora remixed in the urban jungle Epilogue: music and the multicultural city Appendix: interviews for the book Bibliography -- .Reviews'This book is rare and special. It combines loving appreciation of London's overlooked black music scenes with a richly detailed social history of their place in the evolving life of our city. There really is no other book like it. Caspar Melville knows because he was there.' Paul Gilroy is a recovering vinyl junkie who teaches at UCL 'I've waited decades for a book like this to be written. Turning each page is like digging through the crates. Important connections, intersections and black sonic samples are weaved throughout the text like a seamless mix. Black British music deserves this kind of attention. It's an important piece of the puzzle of DJ and Club culture that has yet to be assembled in its entirety.' Lynnee Denise is a renowned DJ and lecturer in African American studies at UCLA 'Caspar goes in deep! I am so proud to be part of the London clubland story he tells.' Gilles Peterson is a club and BBC radio DJ and founder of Brownswood Recordings and Worldwide FM -- . 'This book is rare and special. It combines loving appreciation of London's overlooked black music scenes with a richly detailed social history of their place in the evolving life of our city. There really is no other book like it. Caspar Melville knows because he was there.' Paul Gilroy is a recovering vinyl junkie who teaches at UCL 'I've waited decades for a book like this to be written. Turning each page is like digging through the crates. Important connections, intersections and black sonic samples are weaved throughout the text like a seamless mix. Black British music deserves this kind of attention. It's an important piece of the puzzle of DJ and Club culture that has yet to be assembled in its entirety.' Lynnee Denise is a renowned DJ and lecturer in African American studies at UCLA 'Caspar goes in deep! I am so proud to be part of the London clubland story he tells.' Gilles Peterson is a club and BBC radio DJ and founder of Brownswood Recordings and Worldwide FM 'It's a London Thing is a compelling exploration of dance music history, inviting us to keep our eyes and ears glued to where the music comes from and what it can teach us.' Ivan Mouraviev, Popular Music -- . Author InformationFormerly a music journalist and editor of New Humanist magazine, Caspar Melville is a lecturer at SOAS, University of London, where he convenes the MA in Global Creative and Cultural Industries Tab Content 6Author Website:Countries AvailableAll regions |