Italian Contemporary Screen Performers: Training, Production, Prestige

Author:   Luca Barra ,  Cristina Formenti ,  Mariapaola Pierini ,  Francesco Pitassio
Publisher:   Springer International Publishing AG
Edition:   2025 ed.
ISBN:  

9783031673092


Pages:   303
Publication Date:   30 November 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Italian Contemporary Screen Performers: Training, Production, Prestige


Overview

Bringing together performance studies, celebrity studies, and media production studies, this open access book offers a comprehensive understanding of the multi-layered condition of film and television performers within the contemporary Italian screen media landscape. By focusing on a selection of stars who reached success from 2000 onwards, the collection highlights how the renewal of the Italian media industry in the late 1990s impacted  different aspects of Italian screen performers’ professional lives,  from training to promotion and validation strategies.

Full Product Details

Author:   Luca Barra ,  Cristina Formenti ,  Mariapaola Pierini ,  Francesco Pitassio
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   2025 ed.
ISBN:  

9783031673092


ISBN 10:   3031673093
Pages:   303
Publication Date:   30 November 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction. Working Stars.- 2. Introduction to Section I.- 3. Antonio Albanese. Drama, Comedy, and Everything in Between.- 4. Luca Argentero. The Charm of Understatement.- 5. Marco Giallini. “I Had a Hundred Jobs!” What His Story Tells Us About Career Development in the Cultural Industries.- 6. Luca Marinelli. “You Have to Learn to Trust Your Own Face”.- 7. Benedetta Porcaroli. Don’t Call Me Baby.- 8. Alba Rohrwacher. An Unconventional Actress with an Academic Training.- 9. Toni Servillo. An Actor “Fallen” into Cinema.- 10. Mirella Bordoni. Teaching Acting with the “Costa Method”.- 11. Tatiana Lepore. From Creative Mediation to Functionality. The Role of the Acting Coach in Italy.- 12. Introduction to Section II.- 13. Giuseppe Battiston. Enough with the Latin Lover.- 14. Silvia Calderoni. A Techno-Heart Athlete.- 15. Coco Rebecca Edogamhe. A Very Ordinary Girl.- 16. Pierfrancesco Favino. Italianness, Masculinity, and Performance of a Popular Antidivo.- 17. Sabrina Ferilli. A Star Reborn. Negotiating Sexuality, Femininity, and Ageing through Authenticity.- 18. Valeria Golino. Transnational and Global Italianness.- 19. Caterina Murino. Global Ambitions, Italian Roots.- 20. Jasmine Trinca. The Smiling Girl Goes #MeToo.- 21. Laura Muccino and Sara Casani. Casting and Crafting Italian TV Stardom.- 22. Beppe Caschetto. How a Talent Agent Can Build a Film and Television Performer.- 23. Introduction to Section III.- 24. Monica Bellucci. Internationalising Italian Beauty.- 25. Alessandro Borghi. (Reluctant) Celebrity, (Self-)promotion, and Social Networks.- 26. Margherita Buy. Accounting the Career of an Ageing (Anti-)Diva.- 27. Paola Cortellesi. Artistic Versatility, Gender Equality, and the Use of Promotional Interviews in the (Re-)Negotiation of a Star’s Image.- 28. Matilda De Angelis. Naked Ambition.- 29. Elio Germano. Not Just an Actor.- 30. Riccardo Scamarcio. The Transference of Energy and the Enigmas of Intimacy.- 31. Greta Scarano. A Versatile Contemporary Celebrity.- 32. Checco Zalone. Popular Performance, Italian Masculinity, and Transmedia Promotion.- 33. Alberto Barbera. Enhancing Italian Actors and Actresses through Film Festivals.

Reviews

“This volume is a valuable and refreshing contribution to the study of transnational and transmedial exchanges. It provides rich insight into both emerging and established figures in the Italian screen landscape, making it an essential reading for scholars of contemporary media, performance, and Italian culture.” (Clara Ramazzotti, Annali d’italianistica, Vol. 43, 2025)


Author Information

Luca Barra is Professor of Television and Digital Media Studies at the Università di Bologna, Italy. Cristina Formenti is Lecturer in Film Studies at the University of Groningen, The Netherlands. Mariapaola Pierini is Professor of Film Studies at the Università degli Studi di Torino, Italy. Francesco Pitassio is Professor of Film Studies at the Università degli Studi di Udine, Italy.

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