Overview

The Air Force has made great strides in integrating space effects into combat operations. However, the ongoing debate over command and control of deployable space forces has hampered development of theater command and control mechanisms and associated training and exercises. Command relationships have varied over time; however, all have resulted in ad hoc procedures and ongoing debates on roles and responsibilities. The methodology used in this work involved literary research, exercise and contingency experience, and discussions over the past five years with space weapons officers on this issue. The objective of this work is to stimulate discussion and writing by space professionals on this topic, highlight this issue to senior decision makers, and provide a viable solution to the problem. AFDD 2-2 and AFDD 2-2.1 address command relationships in detail; however, the interpretation of these documents varies widely. Some in the space community argue that space is different, inherently global, and requires global centralized control for all space forces. While others argue, space forces dedicated to a single theater require planning and execution in theater to optimize theater effects. This paper advocates the expansion of the Joint Warfighting Space operating concept, which would facilitate the normalized presentation of deployable space forces by transferring operational control to theater, when required. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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