Isamu Noguchi’s Modernism: Negotiating Race, Labor, and Nation, 1930–1950

Author:   Amy Lyford
Publisher:   University of California Press
ISBN:  

9780520298491


Pages:   294
Publication Date:   02 March 2018
Format:   Paperback
Availability:   Out of stock   Availability explained
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Isamu Noguchi’s Modernism: Negotiating Race, Labor, and Nation, 1930–1950


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Overview

Exploring the complex interweaving of race, national identity, and the practice of sculpture, Amy Lyford takes us through a close examination of the early US career of the Japanese American sculptor Isamu Noguchi (1904-1988). The years between 1930 and 1950 were perhaps some of the most fertile of Noguchi's career. Yet the work that he produced during this time has received little sustained attention. Weaving together new archival material, little-known or unrealized works, and those that are familiar, Lyford offers a fresh perspective on the significance of Noguchi's modernist sculpture to twentieth-century culture and art history. Through an examination of his work, this book tells a story about his relation to the most important cultural and political issues of his time. By focusing on Noguchi's reputation, and reception as an artist of Japanese American descent, Lyford analyzes the artist and his work within the context of a burgeoning desire at that time to define what modern American art might be--and confront unspoken assumptions that linked whiteness to Americanness. Lyford reveals how that reputation was both shaped by and helped define ideas about race, labor and national identity in twentieth-century American culture.

Full Product Details

Author:   Amy Lyford
Publisher:   University of California Press
Imprint:   University of California Press
Dimensions:   Width: 17.80cm , Height: 2.30cm , Length: 25.40cm
Weight:   0.635kg
ISBN:  

9780520298491


ISBN 10:   0520298497
Pages:   294
Publication Date:   02 March 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Acknowledgments Introduction Part 1. Labor 1. Earthworks, the Depression Economy, and Monument to the Plow 2. Modernism, Public Art, and Sculpture as Social Practice in the 1930s 3. Reinventing Labor in New York Part 2. Race 4. Negotiating Japanese American Confinement 5. Reimagining Humanity in the 1940s 6. Noguchi, Asian America, and Artistic Identity in Postwar New York Postscript: Beginnings and Ends at the Venice Biennale Appendix A. Noguchi’s “A Plan for Government Sponsored Farm and Craft Settlement for People of Japanese Parentage” Appendix B. Noguchi’s “I Become a Nisei” Notes Selected Bibliography List of Illustrations Index

Reviews

Written in animated and lucid prose, this book is that of a seasoned scholar whose intervention in Noguchi criticism performs the tremendous work of critiquing and making socially relevant inroads in the field of art history. --Society for US Intellectual History


Written in animated and lucid prose, this book is that of a seasoned scholar whose intervention in Noguchi criticism performs the tremendous work of critiquing and making socially relevant inroads in the field of art history. * Society for US Intellectual History *


Author Information

Amy Lyford is Professor of Art History at Occidental College and is the author of Surrealist Masculinities: Gender Anxiety and the Aesthetics of Post–World War I Reconstruction in France (UC Press, 2007).

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