Irish Masculinity on Screen: The Pugilists and Peacemakers of John Ford, Jim Sheridan and Paul Greengrass

Author:   Joseph Paul Moser
Publisher:   McFarland & Co Inc
ISBN:  

9780786474165


Pages:   216
Publication Date:   08 July 2013
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Available To Order   Availability explained
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Irish Masculinity on Screen: The Pugilists and Peacemakers of John Ford, Jim Sheridan and Paul Greengrass


Overview

Examining images of gender and violence, this book analyzes selected works of three influential artists of the Irish cinema--Ford, Sheridan and Greengrass--whose careers, taken together, span the period from 1939 to the present. These three explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and in the process upset conventional notions of masculine authority. Furthermore, Ford's later films interestingly depart from the egalitarian ideals that distinguish his pre-World War II films.

Full Product Details

Author:   Joseph Paul Moser
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.10cm , Length: 22.90cm
Weight:   0.295kg
ISBN:  

9780786474165


ISBN 10:   0786474165
Pages:   216
Publication Date:   08 July 2013
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Table of Contents Acknowledgments Preface Chapter 1. A Fragile Liberalism: Gender in John Ford’s Pre–World War II Cinema Chapter 2. The Persistence of Patriarchy: Gender and Politics in John Ford’s Later Films Chapter 3. Assimilation, Integration, Continuity and Critique: Gender and Genre in the Hollywood Irish Cinemas of John Ford and Jim Sheridan Chapter 4. Jim Sheridan: Reconstructing the Family, Redefining the Nation Chapter 5. Alternative Masculinity and Irish Historical Trauma in Paul Greengrass’s Bloody Sunday and Omagh Conclusion Chapter Notes Bibliography and Filmography Index

Reviews

well-written...entertaining academic --<i>DVD Talk</i>.


"""well-written...entertaining academic""--DVD Talk."


Author Information

Joseph Paul Moser is an assistant professor of English and film studies at Fitchburg State University in Massachusetts. He lives in Somerville, Massachusetts.

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NOV RG 20252

 

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