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OverviewA picture book biography of Irena Sendler, a Polish Catholic social worker who helped save nearly 2500 Jewish children during the Nazi occupation of Poland during World War II. Irena Sendler, born to a Polish Catholic family, was raised to respect people of all backgrounds and to help those in need. She became a social worker; and after the German army occupied Poland during World War II, Irena knew she had to help the sick and starving Jews who were imprisoned in the Warsaw Ghetto. She began by smuggling food, clothing, and medicine into the ghetto, then turned to smuggling children out of the ghetto. Using false papers and creative means of escape, and at great personal risk, Irena helped rescue Jewish children and hide them in safe surroundings during the Holocaust. Hoping to reunite the children with their families after the war, Irena kept secret lists of the children's identities. Motivated by conscience and armed with compassion and a belief in human dignity, Irena Sendler confronted an enormous moral challenge and proved to the world that an ordinary person can accomplish deeds of extraordinary courage. Full Product DetailsAuthor: Marcia Vaughan Crews , Ron MazellanPublisher: Lee & Low Books Imprint: Lee & Low Books Dimensions: Width: 21.80cm , Height: 0.30cm , Length: 27.20cm Weight: 0.181kg ISBN: 9781620142523ISBN 10: 162014252 Pages: 40 Publication Date: 01 November 2011 Recommended Age: From 7 to 12 years Audience: Children/juvenile , Children / Juvenile Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsVaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times. -- Publishers Weekly Vaughan tells the true story without embellishment, employing stark, unadorned syntax that never wavers into pathos, sentiment or myth. It is a definition of quiet heroism. . . . Powerful. -- Kirkus Reviews Mazellan's dramatic oil paintings-mostly in appropriate dark, somber grays and browns-cover most of each spread, leaving a buff-colored strip to hold the succinctly written, yet descriptive, text that can be understood even by those who have little or no knowledge of World War II or the Holocaust. -- School Library Journal Choices, Cooperative Children's Book Center (CCBC) Gelett Burgess Children's Book Award, Gelett Burgess Center Land of Enchantment Book Award Masterlist, New Mexico Library Association Sydney Taylor Notable Book, Association of Jewish Libraries Irena Sendler is enshrined at Yad Vashem as righteous among nations for her courage in rescuing Jewish children from the Warsaw Ghetto. . . . Finding a way to impart even a small understanding of the Holocaust to children is a task fraught with difficulties: How can anyone comprehend such insanity? Vaughan tells the true story without embellishment, employing stark, unadorned syntax that never wavers into pathos, sentiment or myth. It is a definition of quiet heroism. Mazellan's very dark, deeply shadowed oil paintings capture the unabated terror and sorrow. Children should read this work with an adult who is armed with some knowledge of the material. Powerful.--Kirkus Reviews Kirkus Reviews Irena Sendler (1910 2008) was a Polish Catholic social worker who, as a member of the Polish underground organization Zegota, smuggled some 2,500 Jewish children out of the Warsaw ghetto and arranged for them to live out the war with new identities in orphanages, convents, and foster homes. Hoping to reunite the families after the war, she kept lists of the children's original identities, which she buried in jars under an apple tree. As more children were rescued, Irena dug up the jars, added their names to the lists, and buried the jars again, writes Vaughan (Up the Learning Tree). Sendler was ingenious, ushering her young charges to safety by hiding them in baskets, boxes, tool chests, sacks, and suitcases and even under the floorboards of an ambulance. And she was fearless, refusing even under torture and the threat of death to reveal the children s whereabouts. Vaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times.--Publishers Weekly Publishers Weekly Irena Sendler is enshrined at Yad Vashem as righteous among nations for her courage in rescuing Jewish children from the Warsaw Ghetto. . . . Finding a way to impart even a small understanding of the Holocaust to children is a task fraught with difficulties: How can anyone comprehend such insanity? Vaughan tells the true story without embellishment, employing stark, unadorned syntax that never wavers into pathos, sentiment or myth. It is a definition of quiet heroism. Mazellan's very dark, deeply shadowed oil paintings capture the unabated terror and sorrow. Children should read this work with an adult who is armed with some knowledge of the material. Powerful. --Kirkus Reviews Kirkus Reviews Irena Sendler (1910 2008) was a Polish Catholic social worker who, as a member of the Polish underground organization Zegota, smuggled some 2,500 Jewish children out of the Warsaw ghetto and arranged for them to live out the war with new identities in orphanages, convents, and foster homes. Hoping to reunite the families after the war, she kept lists of the children's original identities, which she buried in jars under an apple tree. As more children were rescued, Irena dug up the jars, added their names to the lists, and buried the jars again, writes Vaughan (Up the Learning Tree). Sendler was ingenious, ushering her young charges to safety by hiding them in baskets, boxes, tool chests, sacks, and suitcases and even under the floorboards of an ambulance. And she was fearless, refusing even under torture and the threat of death to reveal the children s whereabouts. Vaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times. --Publishers Weekly Publishers Weekly Irena Sendler is enshrined at Yad Vashem as -righteous among nations- for her courage in rescuing Jewish children from the Warsaw Ghetto. . . . Finding a way to impart even a small understanding of the Holocaust to children is a task fraught with difficulties: How can anyone comprehend such insanity? Vaughan tells the true story without embellishment, employing stark, unadorned syntax that never wavers into pathos, sentiment or myth. It is a definition of quiet heroism. Mazellan's very dark, deeply shadowed oil paintings capture the unabated terror and sorrow. Children should read this work with an adult who is armed with some knowledge of the material. Powerful. --Kirkus Reviews -Kirkus Reviews - Irena Sendler (1910-2008) was a Polish Catholic social worker who, as a member of the Polish underground organization Zegota, smuggled some 2,500 Jewish children out of the Warsaw ghetto and arranged for them to live out the war with new identities in orphanages, convents, and foster homes. Hoping to reunite the families after the war, she kept lists of the children's original identities, which she buried in jars under an apple tree. As more children were rescued, Irena dug up the jars, added their names to the lists, and buried the jars again, writes Vaughan (Up the Learning Tree). Sendler was ingenious, ushering her young charges to safety by hiding them in baskets, boxes, tool chests, sacks, and suitcases and even under the floorboards of an ambulance. And she was fearless, refusing even under torture and the threat of death to reveal the children's whereabouts. Vaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times. --Publishers Weekly Publishers Weekly Irena Sendler (1910-2008) was a Polish Catholic social worker who, as a member of the Polish underground organization Zegota, smuggled some 2,500 Jewish children out of the Warsaw ghetto and arranged for them to live out the war with new identities in orphanages, convents, and foster homes. Hoping to reunite the families after the war, she kept lists of the children's original identities, which she buried in jars under an apple tree. -As more children were rescued, Irena dug up the jars, added their names to the lists, and buried the jars again,- writes Vaughan (Up the Learning Tree). Sendler was ingenious, ushering her young charges to safety by hiding them in -baskets, boxes, tool chests, sacks, and suitcases- and even under the floorboards of an ambulance. And she was fearless, refusing even under torture and the threat of death to reveal the children's whereabouts. Vaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times.--Publishers Weekly -Publishers Weekly - Irena Sendler (1910 2008) was a Polish Catholic social worker who, as a member of the Polish underground organization Zegota, smuggled some 2,500 Jewish children out of the Warsaw ghetto and arranged for them to live out the war with new identities in orphanages, convents, and foster homes. Hoping to reunite the families after the war, she kept lists of the children's original identities, which she buried in jars under an apple tree. As more children were rescued, Irena dug up the jars, added their names to the lists, and buried the jars again, writes Vaughan (Up the Learning Tree). Sendler was ingenious, ushering her young charges to safety by hiding them in baskets, boxes, tool chests, sacks, and suitcases and even under the floorboards of an ambulance. And she was fearless, refusing even under torture and the threat of death to reveal the children s whereabouts. Vaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times.--Publishers Weekly Publishers Weekly """Vaughan and Mazellan (You Can Be a Friend) have created a fine piece of historical storytelling, with brisk, reportorial prose and shadowy, impressionistic oil paintings that offer gripping testimony to the full horror and high stakes of the times."" -- Publishers Weekly ""Vaughan tells the true story without embellishment, employing stark, unadorned syntax that never wavers into pathos, sentiment or myth. It is a definition of quiet heroism. . . . Powerful."" -- Kirkus Reviews ""Mazellan's dramatic oil paintings-mostly in appropriate dark, somber grays and browns-cover most of each spread, leaving a buff-colored strip to hold the succinctly written, yet descriptive, text that can be understood even by those who have little or no knowledge of World War II or the Holocaust."" -- School Library Journal CCBC Choices, Cooperative Children's Book Center (CCBC) Gelett Burgess Children's Book Award, Gelett Burgess Center Land of Enchantment Book Award, New Mexico Library Association Sydney Taylor Book Award, Association of Jewish Libraries" Author InformationMarcia Vaughan Crews has written numerous books for young readers, including picture books, beginning readers, and both fiction and nonfiction series. She was inspired to tell Irena Sendler's story after reading her obituary in 2008 and discovering more about her through the work of Life in a Jar: The Irena Sendler Project, an organization dedicated to bringing Irena Sendler's story to the world. Crews lives in Tacoma, Washington. Ron Mazellan is the illustrator of several award-winning picture books. He is also a professor of art at Indiana Wesleyan University. Mazellan was drawn to this story by Irena Sendler's character and her multiple selfless acts of kindness and courage toward those who had little hope of survival. Mazellan lives in Marion, Indiana. Tab Content 6Author Website:Countries AvailableAll regions |