Overview

Inward of Poetry presents fifty years of thoughtful and, by turns, chatty letters between poet George Johnston and his good friend and frequent editor, the scholar William Blissett. Edited by former student Sean Kane, this lively collection includes several hitherto unpublished Johnston poems and reveals the development and creative necessities of one of Canada's revered poets and translators.

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9780889843455

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Reviews

'Oh, Johnston was an academic of some sort, a scholar, too; purveyor of Icelandic sagas ... sometimes, even deep in the fustier nooks and crannies of said academe, one might chance across an authentic beating heart for whom poetry, and not just some fantasia of the thing, truly does matter. A tip of the hat then to Porcupine Quill's publication of the George Johnston-William Blisset correspondence: Inward of Poetry.' -- Norm Sibum

'These letters between William Blissett and George Johnston offer a precious glimpse into a Canadian literary world now largely vanished, an age celebrated in names such as A. S. P. Woodhouse, W. J. Alexander, and Harold Innis, and -- still flourishing in and dominating the Toronto I knew -- Northrop Frye, Earle Birney, Farley Mowat, Robertson Davies, Claude Bissell, Ernest Sirluck, Barker Fairley, and Marshall McLuhan. The two humane, generous, self-deprecating figures whose lifelong friendship and half-century of correspondence lie at the heart of this volume shared a love of poetic craft and painstaking workmanship that, as one of George's favorite Icelandic skalds put it, will be slow to grow old. ' -- Roberta Frank, Yale University

'Oh, Johnston was an academic of some sort, a scholar, too; purveyor of Icelandic sagas ... sometimes, even deep in the fustier nooks and crannies of said academe, one might chance across an authentic beating heart for whom poetry, and not just some fantasia of the thing, truly does matter. A tip of the hat then to Porcupine Quill's publication of the George Johnston-William Blisset correspondence: Inward of Poetry.' -- Norm Sibum 'Inward of Poetry is a journey, through correspondence, into the friendship of Canadian poet George Johnston and Canadian scholar William Blissett. Both men of letters, Johnston and Blissett met in graduate school in the late 1940s, beginning their fifty-year correspondence upon their departure to distant academic posts. Serving as a memoir of the men's lives and their scholarly vocations, Inward of Poetry provides readers with an intimate account into the minds and times of Johnston and Blissett.'Johnston is known to have written 180 letters to Blissett in his lifetime, and Blissett wrote more than 142 (correspondence from the 1990s has been mislaid). Sean Kane, the editor of the collection and a past student of George Johnston, expertly presents the men's friendship through his chapter-by-chapter narration, providing background information to set the stage for the letters. Kane's careful excerpting of the letters and notes of clarification delve deep into the significant aspects of each man's life.'In the early chapters of the book, Blissett and Johnston focus on the vocation to which each has felt called. Their ideas on teaching, scholarship, and their own reactions to what they had been reading and writing fascinate. In a discussion of a meeting they had both attended, Blissett disagrees with Johnston's outburst (accompanied, notes Blissett, by breathing down my neck ) that English is a dead language, like Irish, that shouldn't be taught in university. Johnston's charming response, indicative of their ease with one another, reads: I am an owl, everything I say sounds owlish to me -- but I do believe that I might sound like a comfortable owl if I were writing to you. In middle chapters of the book, centered upon Johnston's poetry collections (Cruising Auk, Home Free, and Happy Enough), Johnston settles into his role as a comfortable owl , full of long-range vision for what he hoped for in his poems and for Canadian literature as a whole. Trusting the insight and honesty of his friend, Johnston sends Blissett poems that he is working on, and Blissett, in turn, sends his encouragement and criticism: The Bargain Sale is...one of the truly great: don't change a syllable. Daisy hasn't gotten across to me yet. Poem after poem, Blissett weighs in, both before and during his long-term tenure as editor of the University of Toronto Quarterly. While all of the letters are peppered with personal details, the last chapters of the book center on fellow poets, family, travels, and seasons and occasions. Johnston's wife and many children shine in these chapters, as do Johnston's feelings about the changing world. ( We have not yet brought a television into the house. I find that the self-important and self-destroying world already penetrates too deeply. ) In Blissett's letters, we learn more of his care for his mother and her death, his obsession with opera, and his extended family of colleagues.'Rich with historic, personal, and scholarly detail, the letters between William Blissett and George Johnston are a necessary addition to the academic and personal libraries of Canadians and those interested in Canadian literature. Through Kane's fine editing, the lives and work of two outstanding countrymen are preserved and made accessible for generations to come.' -- Jennifer Fandel ForeWord Reviews

'Oh, Johnston was an academic of some sort, a scholar, too; purveyor of Icelandic sagas ... sometimes, even deep in the fustier nooks and crannies of said academe, one might chance across an authentic beating heart for whom poetry, and not just some fantasia of the thing, truly does matter. A tip of the hat then to Porcupine Quill's publication of the George Johnston-William Blisset correspondence: Inward of Poetry.' -- Norm Sibum 'Inward of Poetry is a journey, through correspondence, into the friendship of Canadian poet George Johnston and Canadian scholar William Blissett. Both men of letters, Johnston and Blissett met in graduate school in the late 1940s, beginning their fifty-year correspondence upon their departure to distant academic posts. Serving as a memoir of the men's lives and their scholarly vocations, Inward of Poetry provides readers with an intimate account into the minds and times of Johnston and Blissett.'Johnston is known to have written 180 letters to Blissett in his lifetime, and Blissett wrote more than 142 (correspondence from the 1990s has been mislaid). Sean Kane, the editor of the collection and a past student of George Johnston, expertly presents the men's friendship through his chapter-by-chapter narration, providing background information to set the stage for the letters. Kane's careful excerpting of the letters and notes of clarification delve deep into the significant aspects of each man's life.'In the early chapters of the book, Blissett and Johnston focus on the vocation to which each has felt called. Their ideas on teaching, scholarship, and their own reactions to what they had been reading and writing fascinate. In a discussion of a meeting they had both attended, Blissett disagrees with Johnston's outburst (accompanied, notes Blissett, by ""breathing down my neck"") that English is a dead language, like Irish, that shouldn't be taught in university. Johnston's charming response, indicative of their ease with one another, reads: ""I am an owl, everything I say sounds owlish to me -- but I do believe that I might sound like a comfortable owl if I were writing to you.""In middle chapters of the book, centered upon Johnston's poetry collections (Cruising Auk, Home Free, and Happy Enough), Johnston settles into his role as a ""comfortable owl"", full of long-range vision for what he hoped for in his poems and for Canadian literature as a whole. Trusting the insight and honesty of his friend, Johnston sends Blissett poems that he is working on, and Blissett, in turn, sends his encouragement and criticism: ""The Bargain Sale is...one of the truly great: don't change a syllable. Daisy hasn't gotten across to me yet."" Poem after poem, Blissett weighs in, both before and during his long-term tenure as editor of the University of Toronto Quarterly. While all of the letters are peppered with personal details, the last chapters of the book center on fellow poets, family, travels, and seasons and occasions. Johnston's wife and many children shine in these chapters, as do Johnston's feelings about the changing world. (""We have not yet brought a television into the house. I find that the self-important and self-destroying world already penetrates too deeply."") In Blissett's letters, we learn more of his care for his mother and her death, his obsession with opera, and his extended family of colleagues.'Rich with historic, personal, and scholarly detail, the letters between William Blissett and George Johnston are a necessary addition to the academic and personal libraries of Canadians and those interested in Canadian literature. Through Kane's fine editing, the lives and work of two outstanding countrymen are preserved and made accessible for generations to come.' -- Jennifer Fandel ForeWord Reviews

Author Information

William Blissett was born in Saskatchewan on October 11, 1921. Reading the modernist poets at age sixteen, he wrote his first published scholarly essay, on T.S. Eliot, while still an undergraduate at UBC. He met George Johnston in graduate school at U of T where Northrop Frye supervised both their theses. Following ten years at the University of Saskatchewan and five at Western, Blissett returned to the University of Toronto in 1965, becoming a long-serving editor of the University of Toronto Quarterly and co-editor of The Spenser Encyclopedia. He retired from teaching, but not from scholarship, in 1987. Now in his ninetieth year, he still gives papers internationally. Blissett is a writer in the Guy Davenport manner, extensive, encyclopedic and stylish, given to life-long projects at present being resolved into books: essays on his friend, the modernist poet and painter David Jones; on Shakespeare and Jonson; on the influence of Wagner on the literary modernists and of Edmund Spenser on poets alive at the mid-twentieth century (complete with letters from each poet); and essays for the William Morris Society and the Chesterton Society. Traveller, opera-goer, storyteller and wit, Blissett lives in Toronto. Sean Kane took his Ph.D. at the University of Toronto, which led to a tenure-track position in the Department of English there. He left to become the founding chair of Cultural Studies at Trent University. Kane still teaches and writes at Trent, where he is emeritus professor of English and Cultural Studies. He is the author of Spenser's Moral Allegory (1989), Wisdom of the Mythtellers (1998), and Virtual Freedom, a comic novel that was shortlisted for the Stephen Leacock Medal (1998). He is editor of The Dreamer Awakes (1995), a collection of wondertales told by Alice Kane. Kane is currently nearing completion of a manuscript that sets out the main principles of the thinking of oral, artisan societies, particularly the Haida world of the mythteller Skaay of Qquuna (?1827-1905), whom Kane has studied in association with the poet and cultural historian Robert Bringhurst. George Johnston was born in Hamilton, Ontario, on October 7, 1913. Johnston knew early on that he wanted to be a writer, and published early poems (often comic-satiric), as well as newspaper columns, film reviews and plays, during his years at the University of Toronto's Victoria College, where he studied philosophy and English. When war was declared, he joined the RCAF and served four and a half years, including thirteen months as a reconnaissance pilot in West Africa. He returned to Canada in 1944, married Jeanne McRae, and completed his MA at the University of Toronto. In between, he taught two years (1947-49) at Mount Allison University, and in 1950, having found teaching to his liking, accepted a post at Ottawa's Carleton University where, for twenty-nine years, he was a charismatic and much-loved professor of Old and Middle English and Old Norse. His first book of poems, The Cruising Auk, written during the war, was not published until 1959, when he was forty-six. Sabbatical years were decisive in Johnston's life. During his first, 1956-57 at Dorking in Surrey, he met Peter Foote of the University of London, who taught him Old Norse, and began translating The Saga of Gisli in collaboration with him. A second sabbatical, in 1967-68, was spent in Denmark and included the discovery of modern Faroese poetry and the first of four visits the Johnstons made to the Faroe Islands. A last sabbatical, 1974-75, spent mostly in Gloucester, England, included a three-week visit to Iceland. After The Cruising Auk, Johnston published four more poetry collections before the appearance of Endeared by Dark, his Collected Poems, in 1990. A man whose diverse interests included calligraphy, bell-ringing, wine-making and beekeeping, who kept up a wide correspondence and enjoyed reading the classics aloud with his wife, Johnston retired from Carleton in 1979. He died in August of 2004.

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