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Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. </p>--David Carrier, Carnegie Mellon University</p>

Wilhelm Worringer s work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer s writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. David Carrier, Carnegie Mellon University

Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. --David Carrier, Carnegie Mellon University Wilhelm Worringer s work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer s writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. David Carrier, Carnegie Mellon University Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. --David Carrier, Carnegie Mellon University Wilhelm Worringer s work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer s writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. David Carrier, Carnegie Mellon University Wilhelm Worringer s work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer s writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. David Carrier, Carnegie Mellon University Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. --David Carrier, Carnegie Mellon University

Wilhelm Worringer's work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer's writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. --David Carrier, Carnegie Mellon University

Wilhelm Worringer s work is of great interest to scholars concerned with Modernism and to everyone interested in German intellectual history. Providing a variety of perspectives on a difficult writer, these essays convincingly make a case not only for the historical value of Worringer s writings but also for the continuing relevance of his ideas to present-day art historians and cultural critics. </p> David Carrier, Carnegie Mellon University</p>

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Neil H. Donahue is Associate Professor of German and Comparative Literature at Hofstra University and author of Disruption: Abstraction in Modern German Prose (1993).

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