Inventories of Ruin: The Demise of the Mexican Jesuits, in Three Acts

Author:   J. Michelle Molina
Publisher:   Fordham University Press
Edition:   New edition
ISBN:  

9781531512293


Pages:   304
Publication Date:   06 March 2026
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Inventories of Ruin: The Demise of the Mexican Jesuits, in Three Acts


Overview

An innovative historical analysis that draws upon performance and theatre studies to stage the ruination and demise of the eighteenth-century Mexican Jesuits Inventories of Ruin dramatizes the ruination of the Mexican Province of the Society of Jesus as their power and influence waned over a period of approximately fifty years in the eighteenth-century Spanish Atlantic world. To tell the story of the arrest, migration, and ultimate dissolution of this powerful organization of missionary men, three sets of ""inventories"" are juxtaposed. The first is composed by notaries, who record the objects left behind by the Jesuits at a college in Puebla de Los Angeles when they were arrested on June 25, 1767. The second is an ""inventory of the self,"" a conversion narrative composed by a Swedish convert who encounters the Jesuit refugees while shipboard on the Mediterranean Sea. The last is an inventory of the dead written by an exiled ex-Jesuit in Bologna, Italy, whose necrology memorializes the life and death of his brethren from the now defunct Mexican province. Inventories of Ruin is about the ruination and disappearance of Jesuit ways of being that counters Jesuit historiography’s framing of this period as a moment of ""suppression."" At the same time, Inventories of Ruin is about how this story of ruination appears in the archives. The book studies the epistemological drama of inventorying, as writers labor to uproot religious power, to locate and secure a religious self, and to capture religious histories. What weighs upon these texts is a sense of anxiety because the question of what will be found animates authors whose literary exertions appear as historiographical struggles to have a say over what appears and what vanishes before leaving the stage, or before pushing others toward the exit.

Full Product Details

Author:   J. Michelle Molina
Publisher:   Fordham University Press
Imprint:   Fordham University Press
Edition:   New edition
ISBN:  

9781531512293


ISBN 10:   1531512291
Pages:   304
Publication Date:   06 March 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Introduction: Disappearing Acts 1 Act I. Arrest 24 Scene I. Notarial Observation at the Colegio Espíritu Santo 31 Scene II. The Action of Subtraction 37 Scene III. Departures and Returns, Replications and Excisions 45 Scene IV. Aramburu’s Desk 50 Scene V. Madre Santísima de la Luz, Owner of the Means of Her Own Reproduction 53 Scene VI. Counting the Silver 62 Scene VII. Care for the Sacramental Silver on the Jesuit Hacienda 75 Scene VIII. Charting Virtue, Enforcing Devotionalism 79 Scene IX. Silver, Salvation, and Racialization 88 Act II. Possibility? 98 Scene I. The First Book 101 Scene II. Shipboard Disputation 103 Scene III. Off the Page, or, Things Thjülen Is Too Self-Absorbed to See 107 Scene IV. Missing Books 114 Scene V. The Virgin Mary Conquers Lutheran Heresy 119 Scene VI. Chasing Spiritual Union across the Mediterranean 123 Scene VII. Betrayal 126 Act III. Ruination 134 Scene I. The Transatlantic Culling of the Mexican Province 139 Scene II. ""True"" Monuments: The Ruination of el Verdadero Jesuita 149 Scene III. Off the Page: Bologna 161 Scene IV. Displaced, or the Jesuit ""College"" in a New World 163 Scene V. The Hacienda, Another Model 166 Scene VI. ""La América"" and Nostalgia for Tepotzotlán 170 Scene VII. To Live Dying: Mourning in an Etiological Mode 172 Scene VIII. Necrocommunity, or a Mournful Mode of Sociability 179 Scene IX. Verdadero Anchorites 182 Concluded: The Mexican Province 189 Acknowledgments 197 Notes 203 Bibliography 243 Index 259

Reviews

""Following inventories of objects, souls, and the dead, Molina offers us a beautiful meditation, cast as a tragedy in three acts, on the material, ritual, and affective scaffoldings of early modern societies. This is a relentless exploration of the sociological undoing of the Mexican Jesuit Order after its 1767 expulsion, a deeply imaginative probe into the performative dimension and origins of Jesuit power and charisma."" - Jorge Cañizares-Esguerra, co-author of The Radical Spanish Empire: How Paperwork Politics Remade the New World


Following inventories of objects, souls, and the dead, Molina offers us a beautiful meditation, cast as a tragedy in three acts, on the material, ritual, and affective scaffoldings of early modern societies. This is a relentless exploration of the sociological undoing of the Mexican Jesuit Order after its 1767 expulsion, a deeply imaginative probe into the performative dimension and origins of Jesuit power and charisma.---Jorge Cañizares-Esguerra, co-author of The Radical Spanish Empire: How Paperwork Politics Remade the New World


Author Information

J. Michelle Molina is Associate Professor of Religious Studies at Northwestern University. Her most recent book is To Overcome Oneself: The Jesuit Ethic and the Spirit of Global Expansion, 1542–1767.

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