|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Andrea StevensPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.40cm Weight: 0.446kg ISBN: 9780748670499ISBN 10: 0748670491 Pages: 192 Publication Date: 10 June 2013 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviews"For anyone interested in the early modern theatrical representation of the body, its multiple transformations and the way paint enabled acting companies and dramatists to effect these transformations, Stevens' book is essential reading.-- ""Dr. Farah Karim-Cooper, Head of Courses and Research, Shakespeare's Globe, London"" Stevens's sensitivity to the pervasiveness of cosmetics as a theatrical technology and a source of theatrical consciousness allows her to expose unthought of layers in familiar and unfamiliar plays alike. This book offers readers new and profound ways of thinking about theatricality itself as a source of identity.-- ""Professor Jeremy Lopez, University of Toronto""" Author InformationAndrea Stevens is an Assistant Professor in the Department of English at the University of Illinois at Urbana-Champaign. Tab Content 6Author Website:Countries AvailableAll regions |