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OverviewThe religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities-and Athenian polytheism itself-remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives-political and economic, as well as spiritual-that prompted them to introduce new gods. Full Product DetailsAuthor: Robert GarlandPublisher: Cornell University Press Imprint: Cornell University Press Dimensions: Width: 15.50cm , Height: 2.20cm , Length: 23.50cm Weight: 0.907kg ISBN: 9780801427664ISBN 10: 0801427665 Pages: 256 Publication Date: 16 January 1992 Recommended Age: From 18 years Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsIn this book Robert Garland gives us a set of well-researched studies on a subject of importance for ancient Greece and Western civilization. Classical Greece presents a multitude of modestly scaled, sovereign communities, connected by common culture and with religion a salient feature. Each polis possessed cults of pan-Hellenic, Olympian divinities and cults of heroes. The pattern of cults in a given polis was the result of that city's individual history, with all the variety and quirkiness characteristic of historical evolution. Garland describes how one polis, Athens, acquired its constellation of cults. -American Historical Review Religious innovation is a special problem for polytheists. Worshipers face a heavy burden of choice among countless competitive deities. Religion and politics, nowhere easy to separate, are here inseparable. Every attempt to introduce a new god creates a political and social crisis. New cults seem an obvious key to cultural change in Ancient Greece, but the subject has been relatively neglected. In this nicely written and illustrated book, Robert Garland does much to fill the gap. -Journal of the American Academy of Religion Introducing New Gods proposes new and provocative ways to view the religious history of ancient Athens. By contextualizing the topic, Robert Garland demonstrates that the relationship between the community and its cults was a dynamic one. He not only avoids skepticism concerning the spiritual content of ancient Greek religion, but forces us to confront modern prejudices. -Paula Perlman, University of Texas ""In this book Robert Garland gives us a set of well-researched studies on a subject of importance for ancient Greece and Western civilization. Classical Greece presents a multitude of modestly scaled, sovereign communities, connected by common culture and with religion a salient feature. Each polis possessed cults of pan-Hellenic, Olympian divinities and cults of heroes. The pattern of cults in a given polis was the result of that city's individual history, with all the variety and quirkiness characteristic of historical evolution. Garland describes how one polis, Athens, acquired its constellation of cults.""-American Historical Review ""Religious innovation is a special problem for polytheists. Worshipers face a heavy burden of choice among countless competitive deities. Religion and politics, nowhere easy to separate, are here inseparable. Every attempt to introduce a new god creates a political and social crisis. New cults seem an obvious key to cultural change in Ancient Greece, but the subject has been relatively neglected. In this nicely written and illustrated book, Robert Garland does much to fill the gap.""-Journal of the American Academy of Religion ""Introducing New Gods proposes new and provocative ways to view the religious history of ancient Athens. By contextualizing the topic, Robert Garland demonstrates that the relationship between the community and its cults was a dynamic one. He not only avoids skepticism concerning the spiritual content of ancient Greek religion, but forces us to confront modern prejudices.""-Paula Perlman, University of Texas """In this book Robert Garland gives us a set of well-researched studies on a subject of importance for ancient Greece and Western civilization. Classical Greece presents a multitude of modestly scaled, sovereign communities, connected by common culture and with religion a salient feature. Each polis possessed cults of pan-Hellenic, Olympian divinities and cults of heroes. The pattern of cults in a given polis was the result of that city's individual history, with all the variety and quirkiness characteristic of historical evolution. Garland describes how one polis, Athens, acquired its constellation of cults.""-American Historical Review ""Religious innovation is a special problem for polytheists. Worshipers face a heavy burden of choice among countless competitive deities. Religion and politics, nowhere easy to separate, are here inseparable. Every attempt to introduce a new god creates a political and social crisis. New cults seem an obvious key to cultural change in Ancient Greece, but the subject has been relatively neglected. In this nicely written and illustrated book, Robert Garland does much to fill the gap.""-Journal of the American Academy of Religion ""Introducing New Gods proposes new and provocative ways to view the religious history of ancient Athens. By contextualizing the topic, Robert Garland demonstrates that the relationship between the community and its cults was a dynamic one. He not only avoids skepticism concerning the spiritual content of ancient Greek religion, but forces us to confront modern prejudices.""-Paula Perlman, University of Texas" Author InformationRobert Garland is Director of the Division of the Humanities and Roy D. and Margaret B. Wooster Professor of the Classics at Colgate University. 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