Overview

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900. Two volume set: Modern composers as diverse as Bela Bartok, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and their new approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of twenty leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes -- available separately or together -- comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music Contents and authors: Volume 1: Debussy and Ravel (MarianneWheeldon); Sibelius (Joseph Kraus); Bartok (Joseph N. Straus); Hindemith (David Neumeyer); Schoenberg (Matthew R. Shaftel); Berg (Dave Headlam); Webern (David Clampitt); Villa-Lobos (Eero Tarasti); Prokofiev (Neil Minturn) Volume 2: Shostakovich [Patrick McCreless]; Britten [Christopher Mark]; Ligeti [Jane Piper Clendinning]; Berio [Richard Hermann]; Xenakis [Evan Jones]; Scelsi [Eric Drott]; Cage [David W. Bernstein]; Babbitt [Andrew Mead]; Carter [Jonathan W. Bernard]; Mel Powell [Jeffrey Perry]; Shulamit Ran [Robert W. Peck]

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9781580463409

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Intimate Voices takes us on a kaleidoscopic ride through a century of string quartets. Players, historians, and theorists alike will appreciate the deeply musical commitment of twenty major writers exploring this medium, from Debussy to modern American, with composers such as Bartok and Scelsi in the same optic, through evidence-based music analysis in a social context. It is a Herculean project, superbly executed by editor Evan Jones. --Jonathan Dunsby, professor of music theory, Eastman School of Music A broad collection of serious essays about music in a medium that is very much alive... There is something here for everyone, not just specialists in musical analysis... It is also good that the work of several composers whose quartets are not often heard-Carter's, Scelsi's, Powell's, and Ran's-are brought to our attention... Each (essay) has something interesting to say about the medium and the music and how we can talk about it.-FANFARE

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