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OverviewThese essays apply the postmodernist theory of intertextuality to romantic drama of the English Renaissance, including work by Heywood, Beaumont and Fletcher, Ford, and especially Shakespeare. Placing the plays into dynamic relation with a wide variety of literary, cultural, and political 'intertexts' causes them to signify in ways not previously appreciated, as well as to define neglected features of the staged romance of the period. Equally important is the development of intertextuality as a critical methodology with a particular affinity for the genre and the period. Full Product DetailsAuthor: Richard HillmanPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.70cm , Length: 21.60cm Weight: 0.440kg ISBN: 9780333567036ISBN 10: 033356703 Pages: 214 Publication Date: 21 July 1992 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction - 'Not Amurath an Amurath Succeeds': Striking Crowns into the Hazard and Playing Doubles in Shakespeare's Henriad - Re-inscribing Romance in Troilus and Cressida - Killing (a Woman) with Kindness: Duplicitous Intertextuality and the Domestication of Romance - Attribution and Tribute in Pericles - Deceiving Appearances: Neo-Chaucerian Magic in The Tempest - (Mis)Appropriating the Romance Past in The Two Noble Kinsmen - Romance Exhausted: Philaster and The Broken Heart - Works Cited - IndexReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |