Intersectional Listening: Gentrification and Black Sonic Life in Washington, DC

Author:   Allie Martin (Assistant Professor, Music Department, Assistant Professor, Music Department, Dartmouth College)
Publisher:   Oxford University Press Inc
ISBN:  

9780197671566


Pages:   256
Publication Date:   31 March 2025
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Intersectional Listening: Gentrification and Black Sonic Life in Washington, DC


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Author:   Allie Martin (Assistant Professor, Music Department, Assistant Professor, Music Department, Dartmouth College)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Weight:   0.494kg
ISBN:  

9780197671566


ISBN 10:   019767156
Pages:   256
Publication Date:   31 March 2025
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction: Listening Intersectionally to the Chocolate City Chapter 1: ""I'm On My Way to Atlanta"" 1.1: Interlude: Notes on Soundwalking as Black Feminist Method Chapter 2: Smooth Jazz and Static Chapter 3: 7th and Florida Chapter 4: Life, Death, and Legacy in Go-Go Music 4.1: Interlude: Sounds of the City Chapter 5: ""Plainly Audible"" Coda: Freedom Sounds in the Nation's Capital

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Author Information

Allie Martin is an ethnomusicologist and artist from Prince George's County, Maryland. She is currently an assistant professor at Dartmouth College in the Music Department and the Cluster for Digital Humanities and Social Engagement. Her work is attuned to questions of race, sound, and power. Martin is the director of the Black Sound Lab at Dartmouth College, a research environment dedicated to amplifying Black life and decriminalizing Black sound through digital practice.

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