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Author:   Alison Hood
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Weight:   0.703kg
ISBN:  

9781409452096

ISBN 10:   1409452093
Pages:   256
Publication Date:   23 April 2014
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents: Foreword, Robert S. Hatten; Preface; Introduction. Part I Revealing the Hidden Dimensions: Introduction; Rhythm; Foreground emphasis; Strict use; Strategy/premise; Dialogue with performance; Conclusion. Part II Preludes Op. 28: Introduction; A comparative review of analytical approaches: Prelude No. 5; Phrase structure and metric ambiguity: Prelude No. 12; Tonal and rhythmic hidden repetition in Prelude No. 14; Contour and flux: Prelude No. 16; Figuration in Prelude No. 21; Ambiguity of tonal meaning: Prelude No. 22; Conclusion. Part III Nocturnes: Introduction; Shared compositional strategies in Chopin’s Nocturnes Op. 48; Intra-opus connections in Chopin’s Nocturnes Op. 27; Conclusion. Part IV The Barcarolle: Structural coupling in the coda of Chopin’s Barcarolle. Conclusion; Select bibliography; Index.

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Author Information

Alison Hood is a Lecturer at the National University of Ireland, Maynooth, having previously lectured at Trinity College Dublin and the University of Oregon. She is a professional pianist and cellist. Her research interests lie in the area of analysis and performance, particularly in piano music from the nineteenth century.

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