Overview

A comic experiment in sociology and self-absorption, the award-winning author Thomas Clerc's autobiographical Interior is a unique invitation into a professor's preoccupations and possessions within the rooms of a small Parisian apartment. Composed of bite-size vignettes, remembrances, and digressions, and filled with lighthearted transitions from pure description to quirky reminiscence and back, this meticulous tour through the rooms of Clerc's home reveals fascinating insights into the author's obsessions, desires, and frustrations. Each space is described in painstaking detail, sometimes down to the centimeter, and the history of every object and appliance is fully excavated with self-deprecating wit. From the ideal varieties of bathroom reading material to the color of his dish rack to the chaos of his sock drawer, Clerc happily and shamelessly guides us through the most intimate crannies of his home, as well as through all the strata of his existence as a bourgeois city dweller approaching middle age. Playful and irreverent, as well as a sly commentary on materialism, Interior finds drama in the domestic and dark humor in every doomed attempt to express individuality through the things that we own.

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9781250214904

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Reviews

Constructed out of short vignettes full of puns, references, and epigrammatic phrasing, [Interior] displays [Thomas] Clerc's glorious confidence that anything can be the stuff of literature . . . This wonderfully translated, thought-provoking work questions what defines a person, the relationships we have with the objects that define our routines, and what literature can be. --Alexander Moran, Booklist At heart, Interior is a tour of the author's apartment, animated with a comic level of detail and consideration . . . Like Samuel Beckett's fiction, [it] comes alive through its narrator . . . --The Millions Dizzyingly indulgent, solipsistic, and self-assured . . . The agoraphobic delight is palpable. --Audrey Deng, Columbia Journal Full of humor and brainy mischief . . . [A] melange of acuity and silliness, of pseudo-sociology and OTT TMI. --Kirkus Reviews The well-named Clerc records everything . . . Interior is a design book. Nothing at all to do with the pretty pictures that run through glossy decor magazines, but rather with the discipline that sees in every trinket or detail a theoretical signifier. --Clement Ghys, Liberation

Constructed out of short vignettes full of puns, references, and epigrammatic phrasing, [Interior] displays [Thomas] Clerc's glorious confidence that anything can be the stuff of literature . . . This wonderfully translated, thought-provoking work questions what defines a person, the relationships we have with the objects that define our routines, and what literature can be. --Alexander Moran, Booklist At heart, Interior is a tour of the author's apartment, animated with a comic level of detail and consideration . . . Like Samuel Beckett's fiction, [it] comes alive through its narrator . . . --The Millions Dizzyingly indulgent, solipsistic, and self-assured . . . The agoraphobic delight is palpable. --Audrey Deng, Columbia Journal Full of humor and brainy mischief . . . [A] m lange of acuity and silliness, of pseudo-sociology and OTT TMI. --Kirkus Reviews The well-named Clerc records everything . . . Interior is a design book. Nothing at all to do with the pretty pictures that run through glossy d cor magazines, but rather with the discipline that sees in every trinket or detail a theoretical signifier. --Cl ment Ghys, Lib ration

Author Information

Thomas Clerc was born in 1965 and is the author of several books, including The Man Who Killed Roland Barthes, a collection of short stories for which he received the Grand Prix de la Nouvelle of the Académie Française. Clerc teaches at Université Paris Nanterre, where he specializes in contemporary French literature. Jeffrey Zuckerman is an award-winning translator of numerous French authors, from Marie Darrieussecq and Ananda Devi to Antoine Volodine and Hervé Guibert.

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