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Author:   Gustavo Vicente
Publisher:   Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint:   Peter Lang AG, Internationaler Verlag der Wissenschaften
Edition:   New edition
Weight:   0.430kg
ISBN:  

9783034322072

ISBN 10:   3034322070
Pages:   278
Publication Date:   30 June 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

CONTENTS: José Gil: Foreword – Gustavo Vicente: Introduction: The urge to embody the world – Ana Pais: Affective rhythms in Until the Moment When God is Destroyed by the Extreme Exercise of Beauty by Vera Mantero – Fernando Machado Silva: New notes towards a supreme fiction: Experience, experimentation and the Body for Life – Né Barros: Body and discourse: Incalculable choreographies – Gonçalo M. Tavares: Body, performance, language and tradition: The example of Pina Bausch and Clara Andermatt’s Fica no Singelo – Daniel Tércio: The body in descent: Catastrophes, feelings and choreographies in the Portuguese landscape – Maria José Fazenda: Creating and performing in Companhia Maior: Memories of life, experiences of continuity and transformation – Anabela Pereira: Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder – Maria João Brilhante: Looking for the expressive body through images: The infinite struggle against insignificance.

Reviews

«The singularity of Portuguese performance and dance has been one of the significant forces in much of experimental live art in Europe over the past two decades. This volume, gathering original essays by an impressive array of Portugal’s most distinguished theorists in aesthetics, philosophy of art and performance theory, offers to the specialist and to the public at large not only an in-depth survey of that experimental force, but also demonstrates with remarkable success its influence in the formation of a truly experimental, powerfully singular and theoretically daring discourse on live performance.» — André Lepecki, Professor and Chair, Department of Performance Studies, New York University «This exciting collection creates a series of new collaborations between thought and performance, activating key corporeal concepts in the context of Portuguese performing arts past and present.» — Philipa Rothfield, Honorary Senior Lecturer in Politics and Philosophy, La Trobe University

The singularity of Portuguese performance and dance has been one of the significant forces in much of experimental live art in Europe over the past two decades. This volume, gathering original essays by an impressive array of Portugal's most distinguished theorists in aesthetics, philosophy of art and performance theory, offers to the specialist and to the public at large not only an in-depth survey of that experimental force, but also demonstrates with remarkable success its influence in the formation of a truly experimental, powerfully singular and theoretically daring discourse on live performance. - Andre Lepecki, Professor and Chair, Department of Performance Studies, New York University This exciting collection creates a series of new collaborations between thought and performance, activating key corporeal concepts in the context of Portuguese performing arts past and present. - Philipa Rothfield, Honorary Senior Lecturer in Politics and Philosophy, La Trobe University

Author Information

Gustavo Vicente is a scholar, performer and artistic director. He is Visiting Assistant Professor in the School of Arts and Humanities at the University of Lisbon and a researcher at the Centro de Estudos de Teatro [Centre for Theatre Studies]. Current co-convener of the Choreography and Corporeality Working Group of the International Federation for Theatre Research, he is also a member of the editorial board of Sinais de Cena: Performing Arts and Theatre Studies Journal. He began his career as an actor in 2001, gaining wide experience both in theatre and cinema, before going on to win first prize at the Portuguese Academic Theatre Festival with his first project as an artistic director, in 2009.

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