Insubordinate Costume: Inspiring Performance

Author:   Susan Marshall
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032375977


Pages:   220
Publication Date:   16 December 2024
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Insubordinate Costume: Inspiring Performance


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Full Product Details

Author:   Susan Marshall
Publisher:   Taylor & Francis Ltd
Imprint:   Focal Press
Weight:   0.440kg
ISBN:  

9781032375977


ISBN 10:   1032375973
Pages:   220
Publication Date:   16 December 2024
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Part 1: Insubordinate Beginnings 1. Insubordinate Beginnings 2. Dance, Performance Art and Insubordinate Costume Part 2: Blurring the boundaries between theatre, dance, performance art and fashion 3. Blurring the boundaries between theatre, dance, performance art and fashion 4. Contemporary Runways, Contemporary Costumes Part 3: The insubordinate here and now 5. The insubordinate here and now 6. On creating costume generated performances 7. Listening with costume – a material-discursive practice 8. Researching with and through Costume: Proposition for a Research Framework Part 4: The practitioners’ voice The practitioners’ voice – edited interviews and contributions

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Author Information

Susan Marshall is a costume designer, adjunct professor of Twentieth Century Fashion at FIT in Milan, Politecnico di Milano and lecturer in costume design at AFOL Moda Milan. Insubordinate Costume is based on her doctoral research at Goldsmiths University of London, which explored the pivotal role of costume in performance and the fundamental importance of play in the performers’ creative approach to the costumes.

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