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OverviewVictory Boogie Woogie, Mondrian’s unfinished masterpiece created in 1942-44, has come to be regarded as not merely the high point of his oeuvre, but also as a dazzling icon of non-figurative art in the twentieth century. Although Mondrian did not live to give the painting its title, it is known that he regarded it as a development of his earlier work, Broadway Boogie Woogie. The work was acquired by the Dutch government in 1998 and has since been on permanent loan at the Gemeentemuseum in The Hague. Despite its landmark status in art history, Victory Boogie Woogie has never been studied in detail. This pioneering survey tracks the minute detail of the creation and physical appearance of the painting, delving into historical sources, conservation history and microscopic analysis of the paint surface and below. Full Product DetailsAuthor: Maarten van Bommel , Rijksdienst voor het Cultureel Erfgoed , Ron Spronk , Hans JanssenPublisher: Amsterdam University Press Imprint: AUP Popular Science Dimensions: Width: 21.00cm , Height: 2.30cm , Length: 27.00cm Weight: 1.395kg ISBN: 9789089643735ISBN 10: 9089643737 Pages: 320 Publication Date: 20 March 2012 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsThis important volume explores Mondrian's masterpiece from every angle, tracing its critical and material history while reporting on new technical studies -- a heterogeneous approach befitting a painting whose singular achievement was (in the words of its curator) to have 'no dominant components.' Harry Cooper, Curator of Modern & Contemporary Art, National Gallery of Art, Washington This important volume explores Mondrian's masterpiece from every angle, tracing its critical and material history while reporting on new technical studies -- a heterogeneous approach befitting a painting whose singular achievement was (in the words of its curator) to have 'no dominant components.' Harry Cooper, Curator of Modern & Contemporary Art, National Gallery of Art, Washington Author InformationDr.ing Maarten van Bommel, Senior scientist, Cultural Heritage Agency Ron Spronk is professor of art history at Queen's University in Kingston, Ontario and at the Radboud Universiteit, Nijmegen. Tab Content 6Author Website:Countries AvailableAll regions |