Inhabiting the Impossible: Dance and Experimentation in Puerto Rico

Author:   Susan Homar ,  nibia pastrana santiago
Publisher:   The University of Michigan Press
ISBN:  

9780472056545


Pages:   330
Publication Date:   31 July 2024
Format:   Paperback
Availability:   Available To Order   Availability explained
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Inhabiting the Impossible: Dance and Experimentation in Puerto Rico


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Overview

This first-of-its-kind book brings together writing by artists and scholars to survey the lively field of Puerto Rican experimental dance across four decades. Originally published as Habitar lo Imposible by BL Editorial in San Juan, the translation features essays, artist statements, and interviews plus more than 100 photos of productions, programs, posters, and scores. Throughout, Inhabiting the Impossible provides fresh, invaluable perspectives on experimentation in dance as a sustained practice that has from the start deeply engaged issues of race, gender, sexuality, and politics. The book is also enhanced by a detailed bibliographic section with resources for further study.

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Author:   Susan Homar ,  nibia pastrana santiago
Publisher:   The University of Michigan Press
Imprint:   The University of Michigan Press
ISBN:  

9780472056545


ISBN 10:   0472056549
Pages:   330
Publication Date:   31 July 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Preface to the English Edition Susan Homar and nibia pastrana santiago Introduction: Inhabiting Dance in Puerto Rico Part I. Histories, Bodies, and Alterities Susan Homar Clear the Way, We’re Coming Through! Forging a New Dance Field in Puerto Rico Adriana Garriga-LÓpez Insurrectionary Bodies: Performance at the Borderlands of Governability and Regeneration nibia pastrana santiago against erasure, in favor of strangeness, and remember: this choreography is not a Caribbean myth, others came before it Part II. Considerations about, from, and with Dance Alma ConcepciÓn SuÁrez The Legacy of Gilda Navarra and the Taller de Histriones Teresa PeÑa JordÁn Transforming the Gaze: Moving Beyond Boundaries with Poetry, Testimony, and Dance Translated by Sarah Yates Gibson Nelson Rivera Puerto Rico: Four Encounters Linking Dance, Music, and the Visual Arts Part III. Decolonial Tasks: Improvisations, Performances, and Events Lydia PlatÓn LÁzaro The Possible from the Unknown: Transformations in the Present-Present of Improvisation Arnaldo RodrÍguez BaguÉ Curating the Foro Permanente de Performance, FPP RamÓn H. Rivera-Servera Moving Queer Feminist Movements in the Commons … or How Puerto Rico Dances its Decolonial Desires Part IV. To Inhabit, to Write, to Move Alicia DÍaz ConcepciÓn Oscar Mestey Villamil Ñequi GonzÁlez MartÍnez teresa hernÁndez JesÚs Miranda Santiago (Pito) Awilda RodrÍguez Lora Jeanne d’Arc Casas Panouze Javier Cardona Otero NoemÍ Segarra RamÍrez Karen Langevin Pepe Álvarez ColÓn Part V. MAPA: Originary Cartographies--Interviews Alejandra Martorell Mapping Puerto Rico: Coordinates of Five Explorers of Dance as Performance Interviews with: Petra Bravo (HernÁndez) MeriÁn Soto Myrna Renaud Awilda Sterling-Duprey Viveca VÁzquez Sonia DaubÓn Aquino Guide to Informational and Bibliographic Resources on Experimental Dance in Puerto Rico Notes on Collaborators

Reviews

"Inhabiting the Impossible enters into current conversations about the connections between corporealities, choreography, dance, geopolitics, identity construction and ideas of nation, race, gender, class and sexuality, political agency and artistic practices--and the circulation of these concepts in the Americas. The book will interest scholars, students, practitioners and those interested in Latin American cultural theory, aesthetics, political studies, anthropology, or gender and sexuality studies."" - Anamaria Tamayo-Duque, Universidad de Antioquia ""This history of experimental dance in Puerto Rico also serves as a model for understanding the aesthetic impacts of dance within particular cultural and political contexts. Further, it foregrounds the voices of artists as it narrates the importance of dance as a mode of cultural manifestation, whether on the street, in living rooms and kitchens, within ritual sites, in abandoned, repurposed spaces, or on concert stages."" - Jennifer Monson, University of Illinois"


Author Information

Dance scholar Susan Homar was, until her retirement, a professor at Universidad de Puerto Rico. nibia pastrana santiago is an artist and co-director at Beta Local, a nonprofit organization dedicated to support Puerto Rican artists.

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