Overview

This book looks to the moment of encounter between architectural design and informal settlements as the most extreme demonstration of an increasingly evident disciplinary fascination for urban informality. It is an enduring fascination, arising from the need to test the boundaries of the discipline in the hope of finding it adaptable to change and willing to adapt. It is also a fascination that feeds off the gap that exists between the search for a renewed relevance of disciplinary tools - and the wider loss of faith in the project as a way to envision societal change. In fact, such fascination is played out within a seemingly structural contradiction: informal settlements originate as the effect of economic and political strategies that are deployed at the global scale; conversely, when dealing with informality, architecture searches for legitimisation at the very small scale of the tactical and ultralocal. A relationship of inverse proportion is in place, between the constrained scope of architectural design and the scale of the issues it sets out to address. AUTHOR: Valeria Federighi is a practicing architect and temporary research fellow at the Politecnico di Torino. She holds a PhD (2017) and MArch (2011) from the same school, and a Master of Science in Design Research (2012) from the University of Michigan. SELLING POINTS: The Informal Stance addresses the issue of informal settlements in relation to architecture, urban planning, and design Valeria Federighi is a member of the Scientific Committee for the Contemporary Urban Issues '14 Conference - Rethinking Informality, organised by Dakam and Istanbul University, November 2014 This is the publication of Valeria Federighi's doctoral dissertation 220 colour images

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9781940743394

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This has generated an informal architecture constituted of small-scale disciplinary means, or polite practices, as well as a series of converging discourses, questioning or trying to change the socio-political and professional landscape. These were produced most often in curated events and publications which concentrated varied directions, projects and processes, in an attempt to offer common identities and representations. Valeria Federighi's book proposes a very useful and necessary epistemological examination of such representations. The book is triggered by the scientific difficulty in approaching the relationship between architecture and informality, all the more disarming in an era of global flows and interwoven determinations. --Tudor Elian, Teaching Assistant, PhD, Ion Mincu University of Architecture and Urbanism, Bucharest--Tudor Elian

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Valeria Federighi is a practicing architect and temporary research fellow at the Politecnico di Torino. She holds a PhD (2017) and MArch (2011) from the same school, and a Master of Science in Design Research (2012) from the University of Michigan.

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