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Make no mistake. [ Indigenous Beauty ] is not a vanity exhibition, showing off the holdings of a wealthy couple. According to experts, there are many masterworks here. Masterful because they clearly manifest the highest levels of artistry but also because they were created by individuals and families who were -- or are -- highly respected within their communities as artists and as teachers of craft. - Seattle Times

Make no mistake. [Indigenous Beauty] is not a vanity exhibition, showing off the holdings of a wealthy couple. According to experts, there are many masterworks here. Masterful because they clearly manifest the highest levels of artistry but also because they were created by individuals and families who were -- or are -- highly respected within their communities as artists and as teachers of craft. -Seattle Times

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David W. Penney is the associate director of museum scholarship at the National Museum of the American Indian, Washington, D.C. Janet Catherine Berlo is a professor of art history and visual and cultural studies at the University of Rochester. Bruce Bernstein is executive director of the Continuous Pathways Foundation, Pueblo of Pojoaque, New Mexico. Barbara Brotherton is the curator of Native American art at the Seattle Art Museum. Joe Horse Capture is an associate curator at the National Museum of the American Indian. Susan Secakuku is a Hopi curator and consultant for museums and cultural organizations.

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