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OverviewFull Product DetailsAuthor: Abiodun Salawu , Israel A. FadipePublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: 1st ed. 2022 Weight: 0.770kg ISBN: 9783030987046ISBN 10: 3030987043 Pages: 465 Publication Date: 15 June 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsPart I Indigenous African Popular Music, Democracy, Politics and Social Crusade 1 Extra-Mundane Communication in Ayinla Omowura’s Music: Exploring Connections Between a Tool and an Agent 2 The Role of Politicians in Democratizing Musical Production in Northern Nigeria 3 Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation of Jacob Zuma (2008–2018) 4 Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe 5 Indigenous African Popular Music, Democracy and Politics6 Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti’s Songs in Nigeria 7 Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Selfcensorship in Zimbabwean Indigenous Theological-Sungura Music 8 Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extraction 9 State-Minded Praise Music Culture Through Electoral Nigeria 10 Beyond Mere Entertainment: Moral Reorientation in Ogundare Foyanmu’s Ijala Song-Texts 11 Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selected Albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu Part II Indigenous African Popular Music and Environmental Health Communication 12 Yorùbá Indigenous Musical Jingles on COVID-19: A Content Appraisal 13 Promotion of Food Sovereignty in Africa Through Yoruba’s Indigenous Music 14 Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19 Part III Indigenous African Popular Music and Gender Empowerment 15 Why Not Call a Spade a Spade? Unpacking Paul Matavire’s Gender Philosophy 16 The Communicativeness of Select Nigerian Afro-hip-hop Lyrics and Sociological Perception of Women 17 Content and Reception of Eswatini’s Indigenous and Popular Music on Women Empowerment Part IV Indigenous African Popular Music, African Youths and African Future 18 Ngoma Songs as Tanzanian Youths’ Third Space for Political Participation 19 The Future of the Indigenous African Popular Music 20 The Popular Cultural Practice of Hip-Hop Among The Indigenous !Xun and Khwe Youth of Platfontein, South Africa 21 Zimdancehall Music as Rules of Sexual Engagement Part V Indigenous African Popular Music, Advanced Broadcast Technologies and the Digital Media 22 Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State 23 The Evolution of the Roles of Producers in the Zimbabwe Recording Industry 24 Topic: Indigenous African Music Economics: Survival Strategies in the Face of Web Technologies 25 Commodification of Music in the Digital Age: Locating Namibia’s Oviritje Popular Music Genre in the Capitalist Music Economy 26 The Role of Sound Archiving of Indigenous Popular Music in the Conflict Zones of North-Eastern NigeriaReviewsAuthor InformationAbiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctoral fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals. Tab Content 6Author Website:Countries AvailableAll regions |
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