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Author:   Abiodun Salawu ,  Israel A. Fadipe
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   2022 ed.
Weight:   0.770kg
ISBN:  

9783030987046

ISBN 10:   3030987043
Pages:   465
Publication Date:   15 June 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Part I Indigenous African Popular Music, Democracy, Politics and Social Crusade.- 1 Extra-Mundane Communication in Ayinla Omowura’s Music: Exploring Connections Between a Tool and an Agent.- 2 The Role of Politicians in Democratizing Musical Production in Northern Nigeria.- 3 Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation of Jacob Zuma (2008–2018).- 4 Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe.- 5 Indigenous African Popular Music, Democracy and Politics6 Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti’s Songs in Nigeria.- 7 Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Selfcensorship in Zimbabwean Indigenous Theological-Sungura Music.- 8 Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extraction.- 9 State-Minded Praise Music Culture Through Electoral Nigeria.- 10 Beyond Mere Entertainment: Moral Reorientation in Ogundare Foyanmu’s Ijala Song-Texts.- 11 Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selected Albums of Sikiru Ayinde Barrister, Dauda Epo Akara and Odolaye Aremu.- Part II Indigenous African Popular Music and Environmental Health Communication.- 12 Yorùbá Indigenous Musical Jingles on COVID-19: A Content Appraisal.-13 Promotion of Food Sovereignty in Africa Through Yoruba’s Indigenous Music.- 14 Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19.- Part III Indigenous African Popular Music and Gender Empowerment.- 15 Why Not Call a Spade a Spade? Unpacking Paul Matavire’s Gender Philosophy.- 16 The Communicativeness of Select Nigerian Afro-hip-hop Lyrics and Sociological Perception of Women.- 17 Content and Reception of Eswatini’s Indigenous and Popular Music on Women Empowerment .- Part IV Indigenous African Popular Music, African Youths and African Future.- 18 Ngoma Songs as Tanzanian Youths’ Third Space for Political Participation.- 19 The Future of the Indigenous African Popular Music.- 20 The Popular Cultural Practice of Hip-Hop Among The Indigenous !Xun and Khwe Youth of Platfontein, South Africa.- 21 Zimdancehall Music as Rules ofSexual Engagement.- Part V Indigenous African Popular Music, Advanced Broadcast Technologies and the Digital Media.- 22 Tradi-Modern Musical Genres Amidst Neo-Colonial Western Digital Recording Towards Development in Benue State.- 23 The Evolution of the Roles of Producers in the Zimbabwe Recording Industry.-24 Topic: Indigenous African Music Economics: Survival Strategies in the Face of Web Technologies .- 25 Commodification of Music in the Digital Age: Locating Namibia’s Oviritje Popular Music Genre in the Capitalist Music Economy.- 26 The Role of Sound Archiving of Indigenous Popular Music in the Conflict Zones of North-Eastern Nigeria.

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Author Information

Abiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctoral fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals.

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