Indigenous African Popular Music, Volume 1: Prophets and Philosophers

Author:   Abiodun Salawu ,  Israel A. Fadipe
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2022
ISBN:  

9783030978839


Pages:   401
Publication Date:   01 June 2022
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $310.47 Quantity:  
Add to Cart

Share |

Indigenous African Popular Music, Volume 1: Prophets and Philosophers


Add your own review!

Overview

This volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagatingthe communal views about African philosophies and the temporal and spiritual worlds in which they exist. ​

Full Product Details

Author:   Abiodun Salawu ,  Israel A. Fadipe
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2022
Weight:   0.683kg
ISBN:  

9783030978839


ISBN 10:   3030978834
Pages:   401
Publication Date:   01 June 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1 Introduction: Indigenous African Popular MusicPart I The Nature, Philosophies and Genres of Indigenous African Popular Music 2 Indigenous and Modern Zimbabwean Music: Reflections from Thomas Mapfumo’s Chimurenga Music Genre 3 Rhythmic Signifying in Popular Venda Music 4 Baansi ni Yila: A Critical History of the Music Industry in Northern Ghana 5 Indigenous and Indigenised Yoruba Popular Music 6 Social Cognition and Advertisement in Yusuf Olatunji’s Music 7 Exploring the Value Systems Embedded in Indigenous Yorùbá Music Genres and Yorùbá Nursery Rhymes 8 Cultural Frames: Sociocultural Metaphors in Owerri-Igbo Bongo Music 9 Thematic Deconstructions of Urhobo/Isoko Musicology and Brand Identity Negotiation, Normalization and Contradictions: Discourse Narrative 10 Dung Chollom and Berom Ethnic Popular Music Part II Indigenous African Popular Music Artists as Prophets and Philosophers 11 Corpus of Prophecy, Philosophy and Crusading in Ayinla Omowura’s Music 12 Forewarned Is Forearmed: Exploring the Apocalyptic Voice of Popular Music in the Post-colonial Zimbabwe 13 Reeling Nostalgia: ‘Aremote’ and the Enduring Sakara Music in Nigeria 14 Celebration as Choice in Nigerian Indigenous and Modern Music: A Critical Analysis of Osondi Owendi by Osita Osadebe and Chinedu Okoli (Flavour) 15 Yorùbá Socio-Cultural Norms and Values in Selected Songs of Bùkọ́lá Ẹlémìdé (Áṣà) 16 Rethinking Values and Principles: An Examination of Osita Osadebe Songs in Igbo Cultural Value Preservation Part III Indigenous African Popular Music and the World 17 Valódia: A Transatlantic Praise Song 18 The Adaptation of Zimbabwean Mbira Dzavadzimu Music, from Traditional to Modern Popular Band Format; the Case of Thomas Mapfumo 19 Macheso’s Sungura and Social Identity Narratives in Postcolonial Zimbabwe 20 “One Beat, One Pound”: Kasumu Isola Sanni—The Sákárà Master Drummer 21 When Culture and Tradition Aren’t Archaic: The Song Semantics of Zimbabwean Mbira’s International Appeal

Reviews

Author Information

​Abiodun Salawu is Professor of Journalism, Communication and Media Studies, and Director of Indigenous Language Media in Africa, at the North-West University, South Africa. His major areas of research include indigenous language media, development communication, critical studies and new media. Israel A. Fadipe is postdoctorial fellow in Indigenous Language Media in Africa at the Faculty of Humanities, North-West University, South Africa. He specialises in communication, cultural and gender studies, and has published articles and chapters in both local and international journals.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

wl

Shopping Cart
Your cart is empty
Shopping cart
Mailing List