Independent Television Production in the UK: From Cottage Industry to Big Business

Author:   David Lee
Publisher:   Springer International Publishing AG
Edition:   1st ed. 2018
ISBN:  

9783319716695


Pages:   244
Publication Date:   19 March 2018
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Independent Television Production in the UK: From Cottage Industry to Big Business


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Author:   David Lee
Publisher:   Springer International Publishing AG
Imprint:   Springer International Publishing AG
Edition:   1st ed. 2018
Weight:   0.462kg
ISBN:  

9783319716695


ISBN 10:   3319716697
Pages:   244
Publication Date:   19 March 2018
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Chapter 1:  Introduction: Situating Independent Television in the cultural economy.- 2. Part I: Independent transformations. The politics of independence: Contextualising independent television production in the UK - Chapter 2. The creation of the independent sector in the UK.- 3. Chapter 3. Creative Industries policy and the rise of the ‘mega-indies’; Independent television production in the age of New Labour.- 4. Part II: Working in independent television - Chapter 4: Creative labour and social change.- 5. Chapter 5 Working in the Indies: Precarity, value and burnout.- 6. Chapter 6 Networks, social capital and the burden of performativity.- 7. Part III: Cultural Value - Chapter 7 Independent Creativity.- 8. Chapter 8: Commercialisation, consolidation and cultural value: The restructuring of the British independent television industry, and the implications for production.- 9. Chapter 9. Conclusion: towards a moral economy of independent television production. 

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David Lee is Lecturer in Cultural Industries and Communication at the University of Leeds, UK. He is the co-author of Culture, Economy and Politics: The Case of New Labour (2015) and co-editor of Advancing Media Production Research (2016). He has published extensively in refereed journals and his research has been funded by the AHRC and the ESRC.

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