Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry

Awards:   Commended for Council for Museum Anthropology Book Award, Council for Museum Anthropology 2020 (United States) Short-listed for Basil Stuart-Stubbs Prize, UBC Library 2019 (Canada) Short-listed for Society for Economic Anthropology Book Prize, Society for Economic Anthropology 2020 (Canada) Winner of K.D. Srivastava Prize for Excellence in Scholarly Publishing, UBC Press 2019 (Canada)
Author:   Solen Roth
Publisher:   University of British Columbia Press
ISBN:  

9780774837392


Pages:   240
Publication Date:   01 May 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry


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Awards

  • Commended for Council for Museum Anthropology Book Award, Council for Museum Anthropology 2020 (United States)
  • Short-listed for Basil Stuart-Stubbs Prize, UBC Library 2019 (Canada)
  • Short-listed for Society for Economic Anthropology Book Prize, Society for Economic Anthropology 2020 (Canada)
  • Winner of K.D. Srivastava Prize for Excellence in Scholarly Publishing, UBC Press 2019 (Canada)

Overview

Fragments of culture often become commodities when the tourism and heritage business showcases local artistic and cultural practice. And frequently, this industry develops without the consent of those whose culture is commercialized. What does this say about appropriation, social responsibility, and intercultural relationships? And what happens when communities become more involved in this cultural marketplace? Incorporating Culture examines how Indigenous artists and entrepreneurs are cultivating more equitable relationships with the companies that reproduce their designs on everyday objects, slowly modifying a capitalist market to make room for Indigenous values and principles. Moving beyond an interpretation of cultural commodification as necessarily exploitative, Solen Roth discusses how communities can treat culture as a resource in a way that nurtures rather than depletes it. She deftly illustrates the processes by which Indigenous people have been asserting control over the Northwest Coast art industry by reshaping it to reflect local models of property, relationships, and economics.

Full Product Details

Author:   Solen Roth
Publisher:   University of British Columbia Press
Imprint:   University of British Columbia Press
Weight:   0.340kg
ISBN:  

9780774837392


ISBN 10:   077483739
Pages:   240
Publication Date:   01 May 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction: (Giving) Back to “the way it should be” 1 A Controversial Industry 2 Expansion | Protection 3 Globalization | Localization 4 Property and Contracts | Stewardship and Relationality 5 Accumulation | Redistribution Conclusion: Indigenous Sovereignty and the Sustainability of Culturally Modified Capitalism Notes Bibliography Index

Reviews

[Incorporating Culture] will resonate with those interested in the confluence of Indigenous artware and tourist souvenir markets throughout the world. [...] All readers will benefit from time spent with this well-told story of cultural adaptation and change, particularly because it refutes notions of Indigenous erasure and, instead, emphasises Indigenous resiliency. -- Thomas McIlwraith * Anthropologica * Incorporating Culture: How Indigenous People are Reshapingthe Northwest Coast Art Industry takes a fresh look at Northwest Coast art through the exploration of economic, legal, and social issues. (published Fall 2020) -- Carolyn Butler-Palmer * RACAR *


Author Information

Solen Roth is a cultural anthropologist currently working as a post-doctoral researcher at the Université de Montréal School of Design. She has published in the Journal of Material Culture and Collaborative Anthropologies, and contributed to Jennifer Kramer’s Ḱesu’: The Art and Life of Doug Cranmer. From 2010 to 2016, she co-chaired the Commodification of Cultural Heritage working group for the Intellectual Property Issues in Cultural Heritage research project at Simon Fraser University.

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