Inauthentic Archaeologies: Public Uses and Abuses of the Past

Author:   Troy R Lovata
Publisher:   Left Coast Press Inc
ISBN:  

9781598740110


Pages:   168
Publication Date:   15 January 2007
Format:   Paperback
Availability:   In Print   Availability explained
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Inauthentic Archaeologies: Public Uses and Abuses of the Past


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Author:   Troy R Lovata
Publisher:   Left Coast Press Inc
Imprint:   Left Coast Press Inc
Dimensions:   Width: 15.20cm , Height: 0.90cm , Length: 22.90cm
Weight:   0.370kg
ISBN:  

9781598740110


ISBN 10:   1598740113
Pages:   168
Publication Date:   15 January 2007
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Most of us are clear-cut on what constitutes legitimate archaeology and therefore we should not have much of a problem deciding what is not legitimate or authentic. In this useful book Troy Lovata challenges the idea that such a demarcation between authentic and inauthentic archaeology is straightforward and a simple matter of crossing a threshold. The book is a good introduction to identifying and defining inauthentic archaeology. I would recommend it to anyone interested in the broader role of archaeology and the use of archaeological information in societya]What is valuable about this book is that it does not shy away from engaging with inauthentic archaeologies. They do not have to be our secret pleasures or shames. - Denis Gojak, Australian Archaeology


Lovata's Inauthentic Archaeologies is an unconventional and entertaining book for both professionals and student audiences. His critical but contextually interpretive approach to inauthentic archaeologies is refreshing and perceptive and the volume's brevity and approachability should make it attractive to instructors. This volume would be a fine addition to the library of most archaeologists, historic preservation specialists, and museum anthropologists who are faced with (and must interpret) the inauthentic on a regular basis. - Jamie C. Brandon, Museum Anthropology Review


Most of us are clear-cut on what constitutes legitimate archaeology and therefore we should not have much of a problem deciding what is not legitimate or authentic. In this useful book Troy Lovata challenges the idea that such a demarcation between authentic and inauthentic archaeology is straightforward and a simple matter of crossing a threshold. The book is a good introduction to identifying and defining inauthentic archaeology. I would recommend it to anyone interested in the broader role of archaeology and the use of archaeological information in society What is valuable about this book is that it does not shy away from engaging with inauthentic archaeologies. They do not have to be our secret pleasures or shames. - Denis Gojak, Australian Archaeology Lovata's Inauthentic Archaeologies is an unconventional and entertaining book for both professionals and student audiences. His critical but contextually interpretive approach to inauthentic archaeologies is refreshing and perceptive and the volume s brevity and approachability should make it attractive to instructors. This volume would be a fine addition to the library of most archaeologists, historic preservation specialists, and museum anthropologists who are faced with (and must interpret) the inauthentic on a regular basis. - Jamie C. Brandon, Museum Anthropology Review


Author Information

Troy Lovata is an assistant professor in the University Honors Program at the University of New Mexico and previously served as a senior lecturer in the Technology, Literacy and Culture Program at the University of Texas. He holds Doctorate and Master's degrees in Anthropology, with a focus on the visual presentation of archaeology, from the University of Texas. He also serves on the Arts Board for the City of Albuquerque, New Mexico.

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