In the Aftermath of Art: Ethics, Aesthetics, Politics

Author:   Donald Preziosi (University of California, Los Angeles, USA) ,  Johanne Lamoureux ,  Johanne Lamoureux
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415362313


Pages:   184
Publication Date:   01 December 2005
Format:   Paperback
Availability:   In Print   Availability explained
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In the Aftermath of Art: Ethics, Aesthetics, Politics


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Author:   Donald Preziosi (University of California, Los Angeles, USA) ,  Johanne Lamoureux ,  Johanne Lamoureux
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.10cm , Length: 23.40cm
Weight:   0.340kg
ISBN:  

9780415362313


ISBN 10:   0415362318
Pages:   184
Publication Date:   01 December 2005
Audience:   General/trade ,  General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Professor Donald Preziosi was trained in Art History, Linguistics, and Classical Archaeology at Harvard University and has taught at several American Universities, including Yale, M.I.T., and UCLA. In 2000-2001 he was Slade Professor of Fine Art at Oxford, and his Slade Lectures were published under the title Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity (Minnesota, 2003). He has published widely on the historiography of the discipline of art history (Rethinking Art History: Meditations on a Coy Science (Yale, 1989), The Art of Art History (Oxford, 1998); on museology (Grasping the World: The Idea of the Museum, jointly with Claire Farago (Ashgate, 2004); and on ancient art (Aegean Art & Architecture (Oxford, 1999). Johanne Lamoreux is a writer, critic and art historian who lives in Montréal. She received her Ph.D. in art history in 1990 and has been a professor since then in the art history department at l'Université de Montréal. A founding member of La Societé d'esthétique du Québec, she has served on the boards of several periodicals and is a regular contributor to exhibition catalogues, journals and periodicals.

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