In Rehearsal: In the World, in the Room, and On Your Own

Author:   Gary Sloan ,  Laurence Maslon
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415678414


Pages:   266
Publication Date:   02 December 2011
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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In Rehearsal: In the World, in the Room, and On Your Own


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Full Product Details

Author:   Gary Sloan ,  Laurence Maslon
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 13.80cm , Height: 1.80cm , Length: 21.60cm
Weight:   0.362kg
ISBN:  

9780415678414


ISBN 10:   0415678412
Pages:   266
Publication Date:   02 December 2011
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Foreword by Zelda Fichandler Prologue: Hoodwinking Hamlet Part I In The World Introduction to Part I 1. Good Ground– The Givens of Rehearsal 2. The Four Week Gig – Act 1 3. The Four Week Gig – Act 2 4. A Creative Process - Six Approaches 5. Get Serious – Seven Ways 6. The Living Rehearsal – a 24/7 Gig Part II In The Room Introduction to Part II 7. Actor, Playwright -The Words Made Flesh 8. Actor, Director - In the Trenches 9. Actor, Designers - A Common Purpose 10. Actor, Dramaturges, Stage Managers and Fight Masters - A Big Tent 11. Shakespeare’s Mountain - Poetic Language 12. Musical Theatre - An American Original 13. Film and Television - Less Is More Part III On Your Own Introduction to Part III 14. A Declaration of Independence –Your Own Creative Process 15. Techniques –Reading and Researching the Role 16. More Techniques – On Your Feet and In Your Sleep 17. The Understudy - The Readiness is All 18. How Professionals Break through - Actor’s Block 19. Rehearsing Life - Fake it ‘til You Make It Conclusion Good Night, Sweet Prince

Reviews

I loved discovering this book.a I found Gary Sloan's writing current, fresh, smart and inspiring.a The overall message of encouraging the actor to take responsibility for his own creative rehearsal process is conveyed with beautiful clarity and usefulness. It is an empowering guide for the actor who, too often, floats in a sea of unorganized questions and impulses until he finds his way. This book leaves nothing to chance and, ultimately, everything to a creative, courageous, collaborative and crafted freedom.a It could easily become the modern bible for our beginning theater actor today. Janet Zarish, Head of Acting, NYU Graduate Acting Program, USA Sloan deftly defines the responsibilities an actor must bring to the creative environment inside a director's rehearsal process. aHowever, his real gift is the blueprint of how every actor must explore, research, and prepare a role outside the rehearsal room. aIn my opinion, In Rehearsal should be required reading for all undergraduate actors. John David Lutz, Chair, Department of Theatre, University of Evansville, USA Everyone who is contemplating going into rehearsal for anything at all (the theatre, movies, television, life or just a walk in the park) should rush out and buy Gary Sloan's book - all the questions you might ever ask about the rehearsal process are addressed here and all kinds of solutions are offered but even more than the specific solutions the gold in the book is that it makes the reader understand that the profession of acting is a serious, noble, difficult, essentially human, often ridiculous, honorable, beautiful, HARD, glorious way to spend a life - this book is invaluable to people just getting started because it gives you a practicea and a peek at anything and everything that might happen - for people who have been at it for the 20 years and more it is a companion to talk to and argue with and seek advice in and laugh with in that absolutely satisfying way you do when you come upon something that gets it absolutely RIGHT Kathleen Chalfant, Actor a


I loved discovering this book. I found Gary Sloan's writing current, fresh, smart and inspiring. The overall message of encouraging the actor to take responsibility for his own creative rehearsal process is conveyed with beautiful clarity and usefulness. It is an empowering guide for the actor who, too often, floats in a sea of unorganized questions and impulses until he finds his way. This book leaves nothing to chance and, ultimately, everything to a creative, courageous, collaborative and crafted freedom. It could easily become the modern bible for our beginning theater actor today. Janet Zarish, Head of Acting, NYU Graduate Acting Program, USA Sloan deftly defines the responsibilities an actor must bring to the creative environment inside a director's rehearsal process. However, his real gift is the blueprint of how every actor must explore, research, and prepare a role outside the rehearsal room. In my opinion, In Rehearsal should be required reading for all undergraduate actors. John David Lutz, Chair, Department of Theatre, University of Evansville, USA Everyone who is contemplating going into rehearsal for anything at all (the theatre, movies, television, life or just a walk in the park) should rush out and buy Gary Sloan's book - all the questions you might ever ask about the rehearsal process are addressed here and all kinds of solutions are offered but even more than the specific solutions the gold in the book is that it makes the reader understand that the profession of acting is a serious, noble, difficult, essentially human, often ridiculous, honorable, beautiful, HARD, glorious way to spend a life - this book is invaluable to people just getting started because it gives you a practice and a peek at anything and everything that might happen - for people who have been at it for the 20 years and more it is a companion to talk to and argue with and seek advice in and laugh with in that absolutely satisfying way you do when you come upon something that gets it absolutely RIGHT Kathleen Chalfant, Actor


<p> I loved discovering this book. I found Gary Sloan 's writing current, fresh, smart and inspiring. The overall message of encouraging the actor to take responsibility for his own creative rehearsal process is conveyed with beautiful clarity and usefulness. It is an empowering guide for the actor who, too often, floats in a sea of unorganized questions and impulses until he finds his way. This book leaves nothing to chance and, ultimately, everything to a creative, courageous, collaborative and crafted freedom. It could easily become the modern bible for our beginning theater actor today. <p>Janet Zarish, Head of Acting, NYU Graduate Acting Program, USA <p> Sloan deftly defines the responsibilities an actor must bring to the creative environment inside a director 's rehearsal process. However, his real gift is the blueprint of how every actor must explore, research, and prepare a role outside the rehearsal room. In my opinion, In Rehearsal should be required reading for all underg


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Sloan, Gary

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