Improv Nation: How We Made a Great American Art

Author:   Sam Wasson
Publisher:   Harper Perennial
ISBN:  

9781328508003


Pages:   480
Publication Date:   04 December 2018
Format:   Paperback
Availability:   Available To Order   Availability explained
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Improv Nation: How We Made a Great American Art


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Overview

A finalist for the 2017 George Freedley Memorial Award ""A compelling, absolutely unputdownable story . . . And, in case you're wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told."" -- Booklist In this richly reported, scene-driven narrative, Sam Wasson charts the meteoric rise of improv from its unlikely beginnings in McCarthy-era Chicago. We witness the chance meeting between Mike Nichols and Elaine May, hang out at the after-hours bar where Dan Aykroyd hosted friends like John Belushi, Bill Murray, and Gilda Radner, and go behind the scenes of cultural landmarks from The Graduate to The Colbert Report. Along the way, we befriend pioneers such as Harold Ramis, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. Wasson shows why improv deserves to be considered the great American art form of the last half century. ""One of the most important stories in American popular culture . . . Wasson may be the first author to explain [improv's] entire history . . . For that reason alone, it's a valuable book."" -- New York Times Book Review ""A compelling history . . . It holds the element of surprise--true to the spirit of its subject."" -- Entertainment Weekly

Full Product Details

Author:   Sam Wasson
Publisher:   Harper Perennial
Imprint:   Harper Perennial
Dimensions:   Width: 13.20cm , Height: 3.60cm , Length: 20.10cm
Weight:   0.363kg
ISBN:  

9781328508003


ISBN 10:   1328508005
Pages:   480
Publication Date:   04 December 2018
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

With Saturday Night Live looming ever larger in the pop culture landscape, it's time for a history of improv comedy. Wasson delivers, moving nimbly from improv's origins in 1950s Chicago to movies like Caddyshack and TV shows like The Colbert Report. --Entertainment Weekly A compelling, absolutely unputdownable story . . . And, in case you're wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told. --Booklist


With Saturday Night Live looming ever larger in the pop culture landscape, it's time for a history of improv comedy. Wasson delivers, moving nimbly from improv's origins in 1950s Chicago to movies like Caddyshack and TV shows like The Colbert Report. --Entertainment Weekly A compelling, absolutely unputdownable story . . . And, in case you're wondering, yes, the book is funny. In places, very funny. A remarkable story, magnificently told. --Booklist Improv Nation masterfully tells a new history of American comedy . . . Wasson masters the art of the monograph by locating a sharp argument within a sweeping, messy, compelling history . . . Wasson's dizzying style drives the point home. Though he jumps around, he never gives a player short shrift, and his conversational tone captivates. The book's focus tightens as its narrative strands converge, but it maintains a loose unpredictability throughout. It holds the element of surprise -- true to the spirit of its subject. Grade: A- --Entertainment Weekly Sam Wasson's Improv Nation examines one of the most important stories in American popular culture . . . Wasson may be the first author to explain [improv's] entire history in comprehensive detail. For that reason alone, it's a valuable book, benefiting from dogged reporting and the kind of sweeping arguments that get your attention. --New York Times Book Review [A] winning history of the subject . . . [Wasson] makes fine use of improv as a prism for understanding the development of American comedy, and it's a pleasure to encounter his acute characterizations. --Wall Street Journal In his studious but breezy book, Improv Nation: How We Made a Great American Art, author Sam Wasson tracks the relatively young craft of creating humor in the same time it took Neil Simon to sharpen a pencil, making readers feel like they're sweating on stage with its quick-witted practitioners. Like the best of his subjects, which include Stephen Colbert, Bill Murray and Tina Fey, Wasson has perfect timing . . . Wasson has assembled a loving tribute to one of entertainment's most daunting challenges, with lots of laughs to boot. --Minneapolis Star-Tribune A fast-paced, thoroughly engaging road map of how improv -- that rapid-fire art of entirely unscripted performance -- came to infiltrate and shape the American pop-culture landscape . . . A whirlwind of quick, sharp anecdotes, never lingering too long yet still giving the reader a full sense of the people and the history shaping improv into what it is today. --Seattle Times Wasson makes a thoroughly entertaining case that improvisational comedy has 'replaced jazz as America's most popular art' and represents the best of democracy . . . Wasson brilliantly weaves together the disparate strands of improv's first decade . . . [and] nicely foreshadows future events and collaborations and does an admirable job of making simultaneous events easy to follow . . . In the spirit of an improv performer, Wasson takes care to never let the stars take over the show. --Publishers Weekly, (starred review) Wasson, author of the stellar biography Fosse (2013), brings his spellbinding prose style to this history of improvisational comedy . . . There's a natural flow to the author's writing--a conversational tone and a way of capturing--No Source


Author Information

SAM WASSON is the author of five books, including the best-selling Fosse and Fifth Avenue, 5 A.M. At Wesleyan University he joined the Desperate Measures improv troupe, cofounded its annual twenty-four-hour show, and earned limited admiration for his parody of Virginia Woolf.

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