Overview

Full Product Details

Author:   Gianmario Borio
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367762544

ISBN 10:   0367762544
Pages:   206
Publication Date:   17 August 2022
Audience:   College/higher education ,  Tertiary & Higher Education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

1 Popular Culture and Post-Traditional Arts: Debates and Controversies During Adorno’s Exile in the USA GIANMARIO BORIO PART I: The Dynamics of Musical Mediation 2 The Logic of Judgement-less Synthesis: Theodor W. Adorno on Vermittlung and the Language of Music DIETER MERSCH 3 Beyond Mediation ESTEBAN BUCH 4 Media, Mediation and ‘Bildung’ in Adorno’s Current of Music MICHELA GARDA PART II: Notation and Performance 5 ‘Every written note is the image of a beat’: Rethinking Adorno’s Critique of Notation ANDREAS MEYER 6 Towards a Practice of Musical Performance Creativity DANIEL LEECH-WILKINSON 7 Exploring the Text-Performance Continuum in Music: Reflections on Immediate Mediation ALESSANDRO CECCHI PART III: Music on Screen 8 Instrumentalizing Music for the Movies: Comedy, Portability, Labor, Critique LYDIA GOEHR 9 Composing for the Films in the Age of Digital Media JAMES BUHLER PART IV: Recorded Sound in Changing Environments 10 Adorno and Jazz: A Dialogue with the Philosopher from an Audiotactile Perspective VINCENZO CAPORALETTI 11 Adorno, the Jitterbug and the Becoming Insect of Music MAKIS SOLOMOS

Reviews

Author Information

Gianmario Borio is professor of Musicology at the University of Pavia and director of the Institute of Music at the Fondazione Giorgio Cini, Venice. In 1999 he was awarded the Dent Medal by the Royal Musical Association. In 2013 he was Distinguished Visiting Professor at The Italian Academy for Advanced Studies in America. Since 2013 he has been member of the Academia Europaea, since 2016 corresponding member of the American Musicological Society, and since 2019 corresponding fellow of the British Academy. He is the director of the book series Musical Cultures of the Twentieth Century (Routledge) and the online-journal Archival Notes. His publications deal with several aspects of the music of the 20th century (theory and aesthetics, political background, the audiovisual experience), with the history of musical concepts and the theory of musical form.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions