Imagining the Past, Remembering the Future: Forms of Knowledge in the Afro-Brazilian Diaspora

Author:   Isis Barra Costa
Publisher:   Columbia University Press
ISBN:  

9780231212625


Pages:   440
Publication Date:   17 February 2026
Format:   Hardback
Availability:   Available To Order   Availability explained
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Imagining the Past, Remembering the Future: Forms of Knowledge in the Afro-Brazilian Diaspora


Overview

Over the centuries, from the transatlantic slave trade to voluntary mass migrations through the digital era, African cultural practices have taken root and transformed in the Americas. Even though Afro-Brazilians make up a large share of the global Black diaspora, and Brazilian culture in turn has been deeply shaped by African influences, their particular contributions remain overlooked. Imagining the Past, Remembering the Future investigates the interlinked art, history, religion, philosophy, and cosmology of oral traditions across the Afro-Brazilian diaspora, arguing that these varied cultural expressions together constitute distinctive forms of knowledge. Through case studies of sacred and secular performances, Isis Barra Costa shows how Afro-Brazilian concepts and practices preserve and renew an ever-changing diasporic philosophy. Ranging across parades of Black royal courts, Carnaval performing groups, oracular literature, ""spirit-dictated"" novels, and many other forms, she illuminates the survival and transformation of African cosmologies, epistemologies, and poetics in the Americas. Foregrounding oral narratives, Barra Costa sheds light on the nonhegemonic protagonists and canons of the Black Atlantic: the spaces and beings, kingdoms and heroes, philosophers and historians that orient Afro-Brazilian memory and imagination. By tracing forms of knowledge across the global African diaspora, this deeply interdisciplinary book reveals the transformative potential of Afro-Brazilian philosophical paradigms.

Full Product Details

Author:   Isis Barra Costa
Publisher:   Columbia University Press
Imprint:   Columbia University Press
ISBN:  

9780231212625


ISBN 10:   0231212623
Pages:   440
Publication Date:   17 February 2026
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Reviews

Imagining the Past, Remembering the Future weaves insights from multiple disciplines to illuminate the African cultural foundations of the Americas, especially Brazil. Beautiful and necessary, it calls for slow, attentive reading—guiding us toward the subtle dimensions of Afro-diasporic knowledge embedded in the textures of everyday sound, image, and gesture. -- Zeca Ligiéro, artist and dean of the Center for Letters and Arts, Federal University of the State of Rio de Janeiro Imagining the Past, Remembering the Future offers a rich and wide-ranging analysis about Afro-Atlantic epistemologies, narration, and performance in Brazil—from Carnaval parades to spirit-led novels. Barra Costa writes with lyrical grace, using vivid metaphors and poetic language to explore their recreation and transformation across time, from the transatlantic slave trade to digital networks today. -- Christopher J. Dunn, author of <i>Contracultura: Alternative Arts and Social Transformation in Authoritarian Brazil</i> By studying the Kongo-Angola-Yoruba-Ewe-Brazilian archive with the same rigor usually devoted to the European archive, Barra Costa brilliantly shows how the most diverse African matrices do not dissolve into a single national culture and how they illuminate a world still haunted by colonialism. -- Pedro Meira Monteiro, Arthur W. Marks ’19 Professor of Spanish and Portuguese, Princeton University


Imagining the Past, Remembering the Future weaves insights from multiple disciplines to illuminate the African cultural foundations of the Americas, especially Brazil. Beautiful and necessary, it calls for slow, attentive reading—guiding us toward the subtle dimensions of Afro-diasporic knowledge embedded in the textures of everyday sound, image, and gesture. -- Zeca Ligiéro, artist and dean of the Center for Letters and Arts, Federal University of the State of Rio de Janeiro


Author Information

Isis Barra Costa is assistant professor of contemporary Brazilian cultural and literary studies at the Ohio State University.

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