Imagined Germany: Richard Wagner's National Utopia, Second Edition

Author:   Jost Hermand ,  Hannu Salmi
Publisher:   Peter Lang Publishing Inc
Edition:   2nd Revised edition
Volume:   29
ISBN:  

9781433177385


Pages:   234
Publication Date:   28 February 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Imagined Germany: Richard Wagner's National Utopia, Second Edition


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Overview

Richard Wagner (1813–1883) has often been regarded as a symbol of ""Germanness."" Despite this view, few studies have been undertaken regarding his nationalistic thinking. Imagined Germany focuses on Wagner’s idea of Deutschtum, especially during the unification of Germany, 1864–1871. Salmi discusses how Wagner defined Germanness, what stereotypes, ideas, and sentiments he attached to it, and what kind of state could realize Wagner’s national ideals.

Full Product Details

Author:   Jost Hermand ,  Hannu Salmi
Publisher:   Peter Lang Publishing Inc
Imprint:   Peter Lang Publishing Inc
Edition:   2nd Revised edition
Volume:   29
Weight:   0.420kg
ISBN:  

9781433177385


ISBN 10:   1433177382
Pages:   234
Publication Date:   28 February 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgments – Introduction – Wagner’s Concept of the German Past – The Home of the German Spirit – The Gesamtkunstwerk and the Future Germany – Wagner in Munich, 1864–65 – A Political Outcast between Bavaria and Prussia – ""I Stir Them Ever to Strife …"" – Disappointment with the New Germany – Bayreuth: Towards Immortality – Epilogue: ""My Kingdom Is Not of This World"" – List of Sources – Index.

Reviews

Salmi makes an important contribution to our understanding of one of the most fascinating artistic figures in German politics and culture, particularly his political role. -Michael Meyer, California State University, Northridge Salmi lays forever to rest the myth, propagated by some of Wagner's older apologists and by many of his more recent critics, that there existed a communality of interests between Wagner and Bismarck, as well as between the new 'Reich' and the Wagnerian cultural enterprise. Salmi shows, more clearly than anyone has done thus far, how Wagner at first styled himself as the 'most German of Germans' only to realize, in the end, that he had been crucified 'am Kreuz des deutschen Gedankens'. -Hans Rudolf Vaget, Smith College


Author Information

Hannu Salmi is Professor of Cultural History at the University of Turku in Finland. He has published numerous articles on the history of music in Finland and Germany, but is also known as a historian of film and popular culture.

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