Overview

Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe.

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9781474450034

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Reviews

"""Waddell examines South African (or B-scheme films), i.e., the country's iteration of Hollywood blaxploitation. ZAxploitation cinema was surreptitiously tainted by the apartheid ideological undertones because it was supported by the National Party regime, which provided financial underwriting in the background. These low-budget exploitation films reimagined Black lives in a modernized (rural and urbanized) context. Waddell's book is in conversation with Ken Harrow's Trash: African Cinema from Below (2013) and Tomaselli's Encountering Modernity: Twentieth Century South African Cinema (2006). Summing Up: Recommended. Lower-division undergraduates through faculty."" -K. M. Kapanga"

Author Information

Calum Waddell is a Lecturer in Film at the University of Aberdeen

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