Image-Making-India: Visual Culture, Technology, Politics

Author:   Paolo Silvio Harald Favero
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367624378


Pages:   176
Publication Date:   30 May 2022
Format:   Paperback
Availability:   In Print   Availability explained
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Image-Making-India: Visual Culture, Technology, Politics


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Overview

Image-Making-India explores the evolving meaning of images in a digital landscape from the vantage point of contemporary India. Building upon long-term ethnographic research among image-makers in Delhi, Mumbai and other Indian cities, the author interrogates the dialogue between visual culture, technology and changing notions of political participation. The book explores selected artistic experiences in documentary and fiction film, photography, contemporary art and digital curation that have in common a desire to engage with images as tools for social intervention. These experiences reveal images’ capacity not only to narrate and represent but also to perform, do and affect. Particular attention is devoted to the 'digital', a critical landscape that offers an opportunity to re-examine the significance of images and visual culture in a rapidly changing India. This volume will be of particular interest to scholars of visual and digital anthropology and cultures as well as South Asian studies.

Full Product Details

Author:   Paolo Silvio Harald Favero
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.330kg
ISBN:  

9780367624378


ISBN 10:   0367624370
Pages:   176
Publication Date:   30 May 2022
Audience:   Professional and scholarly ,  General/trade ,  Professional & Vocational ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Ch 1 In uncompleted circles, spirals and swirls: An introduction, Ch 2 The present world of images: A theoretical background, Ch 3 Sharpening ideas on the whetting stone: Independent documentary practices, resistance and revolution, Ch 4 The ghost of an image: On photographs, truth and colonial violence, Ch 5 The uncanny destiny of ‘raw’ footage: The politics of imagemaking from analogic to digital, from filmmaking to archiving, Ch 6 Conclusions

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Author Information

Paolo S.H. Favero is Associate Professor of Film Studies and Visual Culture at the Visual and Digital Cultures Research Centre (ViDi), University of Antwerp, Belgium.

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