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OverviewThere have been many accounts of prehistoric 'art', but nearly all of them begin by assuming that the concept is a useful one. In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today. Extended case studies of two immensely popular and much-visited sites illustrate his argument: one considers the megalithic tombs of Western Europe, whilst the other investigates the decorated metalwork and rock carvings of Bronze Age Scandinavia. Full Product DetailsAuthor: Richard Bradley (Professor of Archaeology, University of Reading)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.00cm , Height: 1.80cm , Length: 24.00cm Weight: 0.623kg ISBN: 9780199533855ISBN 10: 0199533857 Pages: 280 Publication Date: 12 March 2009 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsI. The Problem with Prehistoric Art 1: The division of the spoils 2: Pattern and purpose II. Image and Audience in Megalithic Art 3: Notes from underground 4: The lives of statues 5: In open country III. Image and Audience in Bronze Age Scandinavia 6: Ships on bronzes, ships on stones 7: Crossing the water 8: The origin of fire IV. Prehistoric Art and Archaeology 9: Losses in translationReviewsBradley's book is stimulating and his arguments clearly exposed. This journey through later prehistoric art which Bradley invites fellow travellers to join may produce different, reactions, but it is certainly a voyage worth undertaking. Madeleine Hummler, Antiquity Yet another fine book from Bradley... An excellent informative read. George Nash, British Archaeology Bradley's book is stimulating and his arguments clearly exposed. This journey through later prehistoric art which Bradley invites fellow travellers to join may produce different, reactions, but it is certainly a voyage worth undertaking. Madeleine Hummler, Antiquity Yet another fine book from Bradley... An excellent informative read. George Nash, British Archaeology An attractive book which many of us would want in our libraries John Collis Richard Bradley ... begins his intriguing new book by challenging the readiness of prehistoric archaeologists Alasdair Whittle Image and Audience certainly functions as an enjoyable and rewarding read for the student of art and its place in archaeology Archaeological Review from Cambridge Bradley's book is stimulating and his arguments clearly exposed. This journey through later prehistoric art which Bradley invites fellow travellers to join may produce different, reactions, but it is certainly a voyage worth undertaking. Madeleine Hummler, Antiquity Yet another fine book from Bradley... An excellent informative read. George Nash, British Archaeology An attractive book which many of us would want in our libraries John Collis Richard Bradley ... begins his intriguing new book by challenging the readiness of prehistoric archaeologists Alasdair Whittle Author InformationRichard Bradley is Professor of Archaeology at the University of Reading. Tab Content 6Author Website:Countries AvailableAll regions |