Overview

Representations of Muslims have never been more common in the Western imagination than they are today. Building on Orientalist stereotypes constructed over centuries, the figure of the wily Arab has given rise, at the dawn of the twenty-first century, to the ""Islamist"" terrorist. In Idols in the East, Suzanne Conklin Akbari explores the premodern background of some of the Orientalist types still pervasive in present-day depictions of Muslims—the irascible and irrational Arab, the religiously deviant Islamist—and about how these stereotypes developed over time. Idols in the East contributes to the recent surge of interest in European encounters with Islam and the Orient in the premodern world. Focusing on the medieval period, Akbari examines a broad range of texts including encyclopedias, maps, medical and astronomical treatises, chansons de geste, romances, and allegories to paint an unusually diverse portrait of medieval culture. Among the texts she considers are The Book of John Mandeville, The Song of Roland, Parzival, and Dante's Divine Comedy. From them she reveals how medieval writers and readers understood and explained the differences they saw between themselves and the Muslim other. Looking forward, Akbari also comes to terms with how these medieval conceptions fit with modern discussions of Orientalism, thus providing an important theoretical link to postcolonial and postimperial scholarship on later periods. Far reaching in its implications and balanced in its judgments, Idols in the East will be of great interest to not only scholars and students of the Middle Ages but also anyone interested in the roots of Orientalism and its tangled relationship to modern racism and anti-Semitism.

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9780801448072

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<p> In Idols in the East, Suzanne Conklin Akbari writes a prehistory of Orientalism. In order to consider the possible contours of a medieval Orientalism, Akbari analyzes a wide range of primary and secondary sources. By focusing on texts that represented Muslims and also on texts that structured a cosmology where Muslims and Islam could fit within a Christian worldview, the book provides a conceptual narrative. -Speculum

<p> In Idols in the East, Suzanne Conklin Akbari writes a prehistory of Orientalism. In order to consider the possible contours of a medieval Orientalism, Akbari analyzes a wide range of primary and secondary sources. By focusing on texts that represented Muslims and also on texts that structured a cosmology where Muslims and Islam could fit within a Christian worldview, the book provides a conceptual narrative. Speculum

In Idols in the East, Suzanne Conklin Akbari writes a prehistory of Orientalism. In order to consider the possible contours of a medieval Orientalism, Akbari analyzes a wide range of primary and secondary sources. By focusing on texts that represented Muslims and also on texts that structured a cosmology where Muslims and Islam could fit within a Christian worldview, the book provides a conceptual narrative. Speculum

Author Information

Suzanne Conklin Akbari is Professor of English and Medieval Studies at the University of Toronto. She is author of Seeing through the Veil: Optical Theory and Medieval Allegory, editor of Marco Polo and the Encounter of East and West, and medieval volume editor for The Norton Anthology of World Literature.

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