ICC Berlin

Author:   Zara Pfeifer
Publisher:   JOVIS Verlag
ISBN:  

9783868597561


Pages:   128
Publication Date:   24 October 2022
Format:   Hardback
Availability:   In Print   Availability explained
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ICC Berlin


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Overview

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building—designed by Ursulina Schüler-Witte and Ralf Schüler, and encompassing Frank Oehring’s incomparable wayfinding system—remains an attentiongrabbing structure. While the building’s brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building’s noteworthy elements and capture the liminal condition in which it has been suspended for years.

Full Product Details

Author:   Zara Pfeifer
Publisher:   JOVIS Verlag
Imprint:   JOVIS Verlag
Weight:   0.595kg
ISBN:  

9783868597561


ISBN 10:   3868597565
Pages:   128
Publication Date:   24 October 2022
Audience:   Professional and scholarly ,  Professional & Vocational ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Language:   German

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Zara Pfeifer is a photographer and architect. Her works reflect her interest in social and spatial phenomena. Whether documenting social interactions in the modernist Alterlaa housing project or as a passenger in a lorry travelling through Europe, Pfeifer inserts herself into the worlds she documents—not just as an observer, but as an active participant.

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